Okay, this is a spoiler-filled review of the Star Trek Voyager episode, "Ex Post Facto." If you're not the type who enjoys Voyager, or shades of Agatha Christie, or maybe if you're just sitting there wondering why they didn't call this "After the Fact," may I suggest that you'd have more fun someplace else?
For instance, you could go to the Ultimate Band List.
Not interested? Okay then...
INITIAL VIEWER EXPERIENCE
Hmm, is this an attempt to get the Sherlock Holmes motif continued in the Delta Quadrant?...That Paris sure is a cutie-pie. Don'tcha just wanna give him a little huggy-poo?...Why does everything on Benar look like Earth during a decade of really bad fashion?
PLOT
Paris' eyes look at some inner torment in fear. Grainy images show him kissing a woman and then killing her jealous husband while strange symbols scroll down at the bottom of the screen. Paris weakly protests, "This isn't the way it happened." A voice (the Benar doctor) tells him it's too late, the trial is over and everyone knows he's guilty. His punishment for killing Tolen Ren is to witness the murder through the eyes of his victim every fourteen hours until he is dead.
Now that's a good punishment!
The Doctor tests Kes on a number of medical questions and considers possible names for himself. [I'm still rooting for Fred.] Kim returns in a shuttlecraft severely dehydrated and tells the story of he and Paris' trip to the planet Benar. They were working with Tolen Ren, getting help with fixing their busted Voyager equipment, a colander or something, when Paris made major goo-goo eyes at Ren's wife, Lidell. The next thing Kim new, Paris was arrested and tried for the murder. Kim himself was interrogated, and he wasn't allowed to see Paris. Janeway sets course for Benar.
Janeway confers with Neelix about Benar, which is currently at war with the super-unfriendly Numiri. The two have been fighting for a while and the paranoia has gotten ridiculous, as has the subterfuge to which both sides have stooped in their thirst to destroy each other.
In fact, on the way to Benar, Janeway gets warned by a Numiri patrol that they'd better not do anything bad while they're near Numiri space, and Neelix wonders why the greeting was so friendly, for a Numiri.
Minister Kray explains to Janeway that Paris has been found guilty and the memory implants have been put into his brain. Janeway asks to see him and Paris is brought in, looking extremely relieved to see her. That penal colony on New Zealand, he says, doesn't look so bad anymore.
Assured of his innocence, Janeway wants all the details. Paris talks of meeting Lidell in the atrium and making the Star Trek version of sultry talk. She's such a bad girl, in fact, that she smokes! In the middle of all this, Paris starts up another of his memory cycles, and the pain is so bad when he gets to the actual killing scene (a knife in the gut), he passes out. A concerned Janeway gets permission to take him to Sickbay, though she is not allowed to leave orbit with him. The Doctor sees that the implants are not working with Paris' brain very well, being Benari implants and all. Every time Paris goes through a cycle he gets brain damage.
Janeway figures this might be cause for an appeal of the sentence, but Tuvok points out that the punishment for murder before the wonderful memory implants were invented was death.
Bummer!
Anyway, the whole thing falls into Tuvok's hands, and he turns into Jessica/Colombo/Mrs. Colombo!/Inspector Morse/whoever and investigates. First on the list, he goes to see the oh-so-sexy-in-her-short-see-through-nightie Lidell, who talks of how she and Paris kissed and how her marriage to her husband died a quiet death a long time ago. She wants Paris to know that she forgives him for killing her husband. Tuvok looks at her and suddenly goes into spontaneous Pan Farr!
No, actually, he looks fairly uncomfortable with the whole thing and somewhat unconvinced...but then, he always looks like that.
Tuvok then checks Lidell's story with Paris while the Doctor watches with some sort of lie-detector thing. Paris passes the detector, and explains that the last thing he remembers is talking in the atrium with Lidell. When he woke up, he was in prison.
Suddenly the ship is attacked by the Numiri. Chakotay tries some fancy stuff (playing possum, basically) and Voyager fends off the Numiri. Janeway wonders, however, why they suddenly attacked.
Over the strong objections of the Doctor, Tuvok mind-melds with Paris as he goes through a cycle and notices things that the lieutenant did not. In fact, he now knows Who The Killer Is.
To test his theory, Janeway tells Minister Kray that Paris and Kim will be going down to the planet in a shuttle. On the shuttle, Kim tsk-tsks Paris for getting mixed up with Lidell and Paris tsk-tsks Kim for not stopping him. The Numiri attack the shuttle and bring it aboard with the intention of abducting Paris, but Janeway beams them back and also manages to keep the shuttle by informing the Numiri that it's full of explosives.
Everyone involved (except the Numiri) gather in Lidell's house so that Tuvok can explain Who The Killer Is. From having watched Paris' mental video, he knows that the memories were altered. The real killer is shorter than Paris, and knew all about Benari anatomy. Moreover, all those strange symbols at the bottom of the screen are data from Tolen Ren's work. The whole thing, in fact, has been a Numiri ruse to kill Ren and convey his research to the Numiri, using Paris as a courier. Who could have done such a thing? With the aid of Lidell's mutant dog, the finger is pointed at the doctor who performed the operation on Paris.
A cleared and restored Paris goes to the mess hall and tells Tuvok he's made a friend. Tuvok continues to look uncomfortable and unconvinced. It takes a Vulcan to resist such a cutie-pie.
CHARACTER
Well, Paris is supposed to be getting character development, but mostly we're getting the Florence Nightingale kind of sex appeal doubtlessly intended to appeal to the 12-16 set. You know, "He's so cute and oh look! he's hurt!" Whatever. Perhaps we're to understand that he learns a lot about what to do the next time some over-sexed vamp flies at him, feathers and all. Just in case he didn't get it, though, allow me:
"Hey! Paris! Run away!"
Okay, apart from that we get Tuvok acting like a detective without the pipe and deerstalker cap, and while I appreciate the lack of squirm-quality, I wasn't exactly riveted by his skills. He's too logical to make the intuitive leaps that are fun in detectives. Instead, it's all sort of mapped out as he goes. The bit with the dog seems out of character for a Vulcan. I like the part about the hidden spy stuff better.
I also like the mention of his wife. How old is Tuvok, anyway?
Lidell really irritates me, but the fact that Paris is so captivated by her reminds us that he's still impressionable and naive in his own rather jaded way. After all, his childhood with his admiral father may have been a downer, but it was still pretty privileged. He tells Kim he knew it was wrong from the beginning, but that only seems to make her more desirable. Paris' own desire for self-inflicted punishment might be an interesting character line in later episodes. We'll have to see.
Janeway seems to be finding her way towards being "more than a captain" to her crew. She's becoming a mommy. Good solution; Picard makes a great daddy to his Enterprise crew.
THOUGHT
The best part is the punishment itself. Punitive memories are much better than cash or jail time for punishing people. I wonder if they use it only for murder cases. Think about it, the horror of being forced to relive that tax-evasion scheme from the victim's eyes!
Seriously, the punishment is once again a foray into the wild and wacky world of the Delta Quadrant and certainly justifies the existence of the story, but I do wish I hadn't been thinking about Murder, She Wrote the whole time.
SPECTACLE
That dress! Those feathers! That dog! The liquor cabinet! The whole thing, from shaking hands as a greeting, to the phrase "May the fates have mercy on your soul," to the clothing -- the whole thing is the strangest blend of disparate earth and "alien" elements. It's distracting in the extreme, and the story isn't strong enough to keep us from noticing. It was trying to be fun and atmospheric, I think, but a case of the no cigar.

Speaking of which, did we have to get a lecture on smoking? I don't smoke, but that doesn't mean I find such things delightful.
DICTION
Strangely, the best line comes from Lidell.
"Have you ever had to end a marriage?...It's a quiet thing." -- Lidell to Tuvok.

SONG
A strangely muted score this time that might have been seeking a film noir tone, but it's always lovely to have live music with real people playing real instruments.
And now the baggage...
STAR TREK ELEMENTS WE (OR I, ANYWAY) LOVE
Really great alien tortures.
STAR TREK ELEMENTS WE (OR I, ANYWAY) HATE
Riker and Troi, Picard and no one, Kirk and everyone...what is it with Star Trek and sexuality, anyway? Sex is either bad or impossible or fleeting or something else that makes it beyond the characters' guilt-free reach. We get a lot of lip service about how comfortable humans are with sexuality in the 24th Century, but with single exception of Miles and Keiko, forget it!
Well, that's all I have for my howtheydunnit.
Star Trek Voyager Reviews
Or would you rather go ahead to ST Voyager Reviews -- Emanations?
Or perhaps back to St Voyager Reviews -- Eye of Needle?
Or go to Jim Wright's review for a second opinion.
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