There are no light sabers in “Solaris”. No
creatures pop out of anybodies stomach. Nor does a charismatic leader
with a fondness for alien women beckon the ship’s engineer to take the
ship to warp speed. Yet in it’s own thoughtful, creepy way
“Solaris” makes an indelible mark on the sci-fi landscape as surely as
Yoda needs a lifetime supply of Nivea.
A
remake of Andrei Tarkovsky’s 1972 cult film it begins when
Psychologist Chris Kelvin (George Clooney) receives a disturbing
communiqué from the commander of the space station Prometheus, that has
severed all communication with Earth. When Kelvin arrives the
commandeer, who is a friend of Kelvin’s, has committed suicide and the
surviving two members are exhibiting strong signs of stress and
paranoia. Then things go from weird to weirder when his dead wife
inexplicably shows up.
Soderbergh
has described this as a cross between “2001” and “Last Tango in
Paris”. I think it’s more like a cross between “2001” and
“Alien” with a little bit of “When Harry Met Sally” thrown in
for good measure. When Kelvin first gets to The Prometheus the movie has
a feel of a sci-fi horror film. I was sure someone was going to get his
or her face sucked off but good. But after Kelvin’s wife Rhea (Natasha
McElhone) shows up it becomes a bird of a different color. Using flashbacks we get to see
Chris and Rhea’s relationship from their first meeting at a hip party
to the dark days before her suicide. This is intercut between scenes of
Rhea and Chris trying to figure out exactly what is going on. Rhea seems
to be more concerned than Chris as to whether or not she is real.
It
is a testament to Soderbergh’s skill as a director that the movie is
at it’s best when people are talking. Whether it is Chris or Rhea (so
to speak) trying to figure things out or the ship’s medic (Viola
Davis) arguing with Chris about Rhea. “Solaris” is very cerebral but
never boring. I think the eerie score by Cliff Martinez helps a lot.
But
so does the acting, which is superb. George Clooney, to me at least, is
the closest this generation has to a genuine movie star. He has equal
parts charisma, talent and dashing good looks. Natasha McElhone, who
plays Rheya, not only looks like someone who would attract someone like
Kelvin but she does a fearless job making us feel Rheya’s torment.
Kudos must also go to Viola Davis and Jeremy Davies, who play the
crewmembers.
I
must take issue with the ad campaign for “Solaris” It’s depicting
it as a thrill a minute action flick. It’s not and you will be sorely
disappointed if you’re expecting one. But if you’re looking for an
intelligent beautifully made science fiction movie go no further.