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Overview
Eric Eaton is a designer for the Wired News site. "I try to make
sure everything is pure information," Eaton says. "I would like
people to get everything from the top-level headlines. There's always
more for people who want the rest." Add Eaton to proponents of the
inverted pyramid form.
Two desks away Taylor
is experimenting with high-tech ways of producing stories with graphics
and motion. "Everything we know about online is different from
print," he says.
This 20-something Web designer
represents a new generation. He even shortened his name to a one-word
click. He prefers Web stories in small chunks of graphically charged
information that he can choose in an order he pleases. He can
click from one Web page to another without losing a mental nanosecond
of comprehension.
"You grew up in a world of
three channels on TV," he tells this 50-something writer. "I grew
up in a world of 80 channels." He also grew up with video games,
so multitasking -- switching from one task to another -- is just an
extension of his childhood skills. Add Taylor to proponents of
nonlinear chunks of writing.
In the middle of the country,
John Caserta, Chicago Tribune's online Web designer, works
on innovative storytelling packages. Some tell a story with a
screen of short text and photos. Others, like a series on classical
music, depend on multimedia.
"Design is communication
of information in a clear way," Caserta says. "Text is not always
the best way to communicate it. I think the traditional story
should be questioned."Add Caserta to proponents of new writing models
for the Web.
And on the East Coast, a
team of designers, photographers, writers and editors for The Philadelphia
Inquirer Web site labored over a 29-part narrative serial about
the battle of Mogadishu. The series features multimedia and compelling
writing like a novel with chapter endings in cliffhangers.
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A
new generation of Web users
From coast to coast, online news sites are experimenting with new ways
of storytelling on the Web. And around the globe, the next generation
of Web readers and writers is already rocketing through cyberspace to
create inventive ways of conveying information.
A million dollar-grant by
the Advanced Network & Services in a "ThinkQuest" program for high
school students throughout the world reveals their ability to create
Web packages that would humble most American online newspaper writers
and designers.
If most Web readers are only
scanners now, the generation that is growing up with the Web could well
become serious readers. To limit our vision of writing forms for
a current generation of scanners is short-sighted.
So which form is best?
All of the above: the inverted pyramid for some hard news stories, serial
narrative for others, screen-size chunks with links to different Web
pages if stories have logical breaks, and scrolling stories for those
that need a more linear presentation for comprehension. Different
forms for different functions.
Howard Witt, associate
managing editor for interactive news at the Chicago Tribune,
says these innovative storytelling forms for the Web take a lot of time
to produce. He says they work best on Web specials that have "shelf
life" but aren't practical for daily news.
But the models discussed
here can be adapted for daily news stories on the Web with little more
than a few copyediting adjustments and some nonlinear thinking.
Other models to be discussed will focus mostly on the writing styles
rather than the interactive features and technical design.
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Scanners'
Models
A study of 50 metropolitan daily online newspapers reveals that the
majority present text in long strips of black rolls resembling toilet
paper. No subheads. No bullets. The lessons learned
in print design have been ignored online. In many online newspapers,
the text spans the entire width of the screen, creating a torturous
task for eye movement. A few, however, offer models that adhere to readability
for scanners as well as thorough readers without requiring major adjustments
in writing or design.
Star
Tribune online model: This Minneapolis online site uses topic
subheads on most stories, unless they are very short, and bullets when
appropriate for the story. The online newspaper also places links
to related items in a column on the side of the story at the top of
the page and again near the end, making nonlinear navigation easy for
readers without interrupting the flow of the story.
American
Journalism Review: Eric Meyer, a University of Illinois journalism
professor and online consultant for his company, Newslink, has created
an even simpler model for scanners in the American Journalism Review
site he developed. He highlights the first few words in a paragraph
in boldface type periodically throughout the story to serve the same
purpose as topic subheads.
CNN
model: CNN uses topic subheads on almost all stories but also frequently
uses another technique for nonlinear readers: links at the top of the
story that connect to the subheads on the same page. Readers can
scan information within the story or read in linear form without clicking
on the topics.
MSNBC
model: This online site offers its lead in larger type to serve
the same purpose as a summary subhead. Then the reader can click
to read the rest of the story on the same page or click on the links
placed under the summary to related stories and resources. This
site also regularly uses topic subheads throughout the story.
No attempt was made to test
if one model is better than another. All of these forms follow readability
guidelines supported by studies that show subheads and bullets help
scanners move through copy. And all will enhance readability of text
regardless of inverted pyramid or narrative writing style.
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Screen-size
chunk models
Writing in screen-size chunks may facilitate scanners, but most of the
sites using this technique are relying more on design than suitability
of content to this form.
When media critic Jon Katz
wrote an online column for HotWired, it was presented in screen-size
chunks. But the columns were still linear reading experiences.
You couldn't skip to screen 6 and still understand the column.
The chunks often ended at
no relevant break in content. The design, with a watermark
on each screen to tell readers which one they are reading, is an innovative
design, but it is not a new form of writing.
However, HotWired editors
say Katz's column was so popular that readers would click or scroll
to follow his diatribes against the media. Katz has since become a columnist
for The Freedom Forum, but his Hotwired columns are still online.
For screen-size chunks to
offer readers choices of nonlinear parts of the story, the pieces have
to have coherent breaks. Few daily news stories lend themselves
to this treatment. Since research is showing that readers will
scroll content that interests them, chunk writing is often design for
design's sake.
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Story
forms 2: Narrative and experimental models
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