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PETER BROOK
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PETER BROOK
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| DATE | TITLE/Description |
|---|---|
| 26/04/2001 | SHAKESPEARE BULLETIN, WINTER 2001 This issue is a goldmine of Peter Brook information with the following articles in addition to a cover photo and review of The Tragedy of Hamlet: The Readiness is All: Peter Brook's Thirty Years in Paris by Janet Savin The Peter Brook-Paul Scofield King Lear: Revisiting the Film Version by Martha Tuck Rozett |
| 22/01/2001 | Theatre: back to basics Article by Benedict Nightingale, LONDON TIMES The sets may be sparse, but any production from Peter Brook, one of our greatest modern directors, is sure to be a wonder to behold. |
| 10/12/2000 | Is brevity the soul of wit? Review by John Peter, LONDON SUNDAY TIMES 10 December, 2000 |
| 8/12/2000 | The tragedy of Horatio and Hamlet If any director can rescue Hamlet from the routine and over-familiar it is Peter Brook. Paul Taylor, INDEPENDENT, saw his dazzling new production in Paris as it began its world tour and spoke to him about its powerful simplicity |
| 4/12/2000 | Prince of protean possibility Dominic Cavendish, TELEGRAPH, reviews Hamlet at Bouffes Du Nord, Paris |
| 4/12/2000 | How I cut Hamlet down to size John Whitley, TELEGRAPH, talks to the acclaimed theatre guru about the evolution of his views on the play |
| 11/5/2000 | Peter Brook: The director everyone calls "God", In his only television interview in Canada, Laurie Brown, Canadian Broadcasting Company, talks to Peter Brook about directing and touring at age 75 |
| April 2000 | The Suit "One of his most beautiful productions ever. Perhaps the most powerful, the most moving. The most 'Brook'... Like witnessing the first moments in the genesis of a theatrical paradise." - Le Monde (France). |
| 18/7/1998 | Vision of striking simplicity Rupert Christiansen, TELEGRAPH, on Peter Brook's triumphant return to opera, Don Giovanni at the Opera International Festival, Aix-en-Provence |
| 23/5/1998 | The mystic versus the bossy-boots Paul Bailey, TELEGRAPH, compares two very different approaches to the theatre and the art of acting |
| 9/5/1998 | Bizarre stage directions Helen Osborne, TELEGRAPH, on an earnest mix of mysticism and the theatre |
| 2/5/1998 | No Brook with conventional interview Susannah Herbert, TELEGRAPH, finds an interview with Peter Brook turns into a lesson in his theatre process- and a demonstration of his brilliance as a free-wheeling playwright |
| Nov. 1997 | Mark Fisher conversation with Brook for the GLASGOW HERALD |
| 12/6/1997 | A surprisingly happy day Despite being Beckett and being in French, Charles Spencer, TELEGRAPH, enjoys Oh Les Beaux Jours at the Riverside Studios |
| 9/11/1996 | Turning the tables on Lord of the Flies When Peter Brook took a group of boys to a deserted island 35 years ago, was he making a film or conducting a social experiment? John Whitley, TELEGRAPH, talks to the TV documentary maker who tried to find out |
| 5/11/1993 | Platform Papers - Peter Brook, Olivier Theatre, Introduced by the National’s Executive Director, Genista McIntosh |
| PUBLICATION DATE | TITLE | REVIEWER |
|---|---|---|
| 1998 | THREADS OF TIME | Helen Osborne/ TELEGRAPH |
| 1993 | THERE ARE NO SECRETS | Mark Fisher/ THEATRE SCOTLAND |
| 1987 | THE SHIFTING POINT | |
| 1968 | THE EMPTY SPACE | Ian Richardson/ FLOURISH |
| PUBLICATION DATE | TITLE/Description | AUTHOR |
|---|---|---|
| 1992 | AN ACTOR ADRIFT | Yoshi Oida, with foreword by Peter Brook |
| 1991 | PETER BROOK and The Mahabharata Critical Perspectives | Compiled by David Williams |
| 1989 | THE MAHABHARATA, Peter Brook's Epic in the Making | Garry O'Connor |
| 1989 | CONERENCE OF THE BIRDS, The Story of Peter Brook in Africa | John Heilpern |
| 1988 | PETER BROOK, A Theatrical Casebook Rehearsal logs, reviews, interviews from 1962 through the 80s | Compiled by David Williams |
| YEAR | PRODUCTION | LOCATION |
|---|---|---|
| April 2001 | HAMLET | BAM, Brooklyn Academy of Music, NY |
| January 2001 | LE COSTUME | Young Vic, London |
| YEAR | PRODUCTION | LEADING PLAYERS (Alphabetic order) |
|---|---|---|
| 2000 | HAMLET | Scott Handy, Jeffrey Kissoon, Adrian Lester, Bruce Myers, Natasha Parry |
| 2000 | LE COSTUME | Tanya Moodie, Hubert Koundé, Sotigui Kouyaté, Cyril Guei |
| 1996 | QUI EST LA | Anne Bennent, David Bennent, Sotigui Kouyate, Giovanna Mezzogiorno, Bruce Myers, Yoshi Ouida, Bakari Sangari |
| 1991-tour from 1992 | THE MAN WHO MISTOOK HIS WIFE FOR A HAT | Sotigui Kouyate, Bruce Myers, Yoshi Ouida, |
| 1989 - BAM | THE CHERRY ORCHARD | Natasha Parry |
| 1985 | MAHABHARATA | Miriam Goldschmidt, Ciaran Hinds, Jeffrey Kissoon, Sotigui Kouyate, Robert Langton Lloyd, Bruce Myers, Helene Patarot, Yoshi Ouida, Malika Sarabhai (NOTE: cast listed is from filmed version of 1989) |
| 1978 | ANTONY AND CLEOPATRA | Paola Dionisotti, Alan Howard, Glenda Jackson, Jonathan Pryce, Patrick Stewart |
| 1970 | A MIDSUMMER NIGHT'S DREAM | Frances de la Tour, Alan Howard, John Kane,Sarah Kestelman, Ben Kingsley |
| 1968 (Round House) | THE TEMPEST | Robert Langton Lloyd, Yoshi Ouida, Natasha Parry |
| 1968 (RNT) | OEDIPUS | Colin Blakely, John Gielgud, Ronald Pickup, Irene Worth, |
| 1966 | US | Glenda Jackson, Robert Langton Lloyd, Clifford Rose, Michael Williams |
| 1965 (Broadway) | MARAT/SADE | Glenda Jackson, Robert Langton Lloyd, Patrick Magee, Ian Richardson, Michael Williams |
| 1964 (West End) | MARAT/SADE | Glenda Jackson, Patrick Magee, Clive Revill, Ian Richardson, Elizabeth Spriggs, Michael Williams |
| 1964 (Broadway) | THE PHYSICISTS | Hume Cronyn, Elizabeth Hubbard, Robert Shaw, Jessica Tandy, George Voscovec |
| 1963 (West End) | THE PHYSICISTS | Cyril Cusack, Michael Hordern, Alan Webb (co-directed with Robert David MacDonald |
| 1962 (RST and tour) | KING LEAR | Alec McCowen, Ian Richardson, Diana Rigg, Paul Scofield, Irene Worth |
| 1960 (Broadway) | THE VISIT | Lynn Fontanne, Alfred Lunt |
| 1959 (Broadway) | THE FIGHTING COCK | Rex Harrison, Natasha Parry |
| 1958 (London) 1961 (Broadway) | IRMA LA DOUCE | Keith Michell, Denis Quilley (NYC), Clive Revill, Elizabeth Seal |
| 1957 | THE TEMPEST | John Gielgud |
| 1956 (Paris) | CAT ON A HOT TIN ROOF | Jeanne Moreau |
| 1956 | THE VISIT | Anthony Quayle, Mary Ure |
| 1956 | THE FAMILY REUNION | Gwen Ffrangcon-Davies, Paul Scofield, Dame Sybil Thorndike |
| 1956 | THE POWER AND THE GLORY | Paul Scofield |
| 1955 | HAMLET | Alec Clunes, Paul Scofield, Mary Ure |
| 1955 (RST and tour) | TITUS ANDRONICUS | Vivien Leigh, Sir Laurence Olivier, Anthony Quayle |
| 1955 | THE LARK | Dorothy Tutin |
| 1954 | HOUSE OF FLOWERS | Pearl Bailey |
| 1954 | BOTH ENDS MEET | Brenda Bruce, Alan Webb |
| 1954 | DARK IS LIGHT ENOUGH | Edith Evans |
| 1953 | VENICE PRESERV'D | John Gielgud, Paul Scofield |
| 1951 | COLOMBE | Yvonne Arnaud, Joyce Redman |
| 1951 | PENNY FOR A SONG | Virginia McKenna, Alan Webb |
| 1951 | A WINTER'S TALE | John Gielgud, Flora Robson |
| 1950 | MEASURE FOR MEASURE | John Gielgud, Barbara Jefford |
| 1950 | THE LITTLE HUT | Robert Morley, Joan Tetzel |
| 1950 | RING ROUND THE MOON | Claire Bloom, Paul Scofield, Margaret Rutherford |
| 1949 | DARK OF THE MOON | William Sylvester, Sheila Burrell |
| 1947 | ROMEO AND JULIET | Paul Scofield |
| 1946 | LOVE'S LABOURS LOST | Paul Scofield |
| 1946 | THE BROTHERS KARAMAZOV | Alec Guinness |
| 1946 | VICIOUS CIRCLE (HUIS CLOS) | Alec Guinness |
| 1945 | LADY FROM THE SEA | Paul Scofield |
| 1945 | KING JOHN | Paul Scofield, Denis Quilley |
| 1945 | MAN AND SUPERMAN | Paul Scofield |
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