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Ian Charleson Awards
Last update 23 May 2006

THE IAN CHARLESON AWARDS

Ambassadors of the imagination

Ian Hughes rehearsal photo by Richard Mildenhall from RSC Henry IV, 1992

1991

IAN HUGHES

Lyric, Hammersmith
TORQUATO TASSO
Tom Hollander from Almeida programme

1992

TOM HOLLANDER

Lyric, Hammersmith
WAY OF THE WORLD
Emma Fielding from Almeida programme

1993

EMMA FIELDING

Almeida
SCHOOL FOR WIVES
Toby Stephens as Royal Shakespeare Company's CORIOLANUS

1994

TOBY STEPHENS

Royal Shakespeare Company
CORIOLANUS
Lucy Whybrow photo from  National Theatre programme of ARCADIA

1995

LUCY WHYBROW

Royal Shakespeare Company
ROMEO AND JULIET
Alexandra Gilbreath photo from English Touring Theatre programme of HEDDA GABLER

1996

ALEXANDRA GILBREATH

English Touring Theatre
HEDDA GABLER
Mark Bazeley photo from English Touring Theatre programme of THE SEAGULL

1997

MARK BAZELEY

English Touring Theatre
THE SEAGULL
Dominic West from Peter Hall Company's THE SEAGULL

1997

DOMINIC WEST

Peter Hall Company
THE SEAGULL
Claudie Blakley from Oxford Stage Company's THREE SISTERS

1998

CLAUDIE BLAKLEY

West Yorkshire Playhouse
THE SEAGULL
Rupert Penrys-Jones photo from Hampstead Theatre programme of SWEET PANIC

1999

RUPERT PENRYS-JONES

Royal Shakespeare Company
DON CARLOS
David Oyelowo

2000

DAVID OYELOWO

Royal Shakespeare Company
HENRY VI
Claire Price

2001

CLAIRE PRICE

Royal National Theatre
THE RELAPSE
Rebecca Hall

2002

REBECCA HALL

Peter Hall Company
MRS WARREN'S PROFESSION
Lisa Dillon

2003

LISA DILLON

Albery Theatre
THE MASTER BUILDER
Nonso Anozie

2004

NONSO ANOZIE

Cheek by Jowl
OTHELLO
Lisa Dillon

2005

MARIAH GALE

Regent's Park
TWELFTH NIGHT
WINNERS 1991-2005
Finalists, 1993
Finalists, 1994
Finalists, 1995
Finalists, 1997
Finalists, 1998
Finalists, 1999
Finalists, 2000
Finalists, 2001
Finalists, 2002
Finalists, 2003
Finalists, 2004
Finalists, 2005

JOHN PETER announces the fourth
Sunday Times-Royal National Theatre
Ian Charleson Awards for young actors


THE SUNDAY TIMES, January 30, 1994



The fourth annual Sunday Times-Royal National Theatre Awards will be presented at a lunch at the Royal National Theatre on Tuesday, March 8. The award is for the best performances in classical roles for actors and actresses under 30 in Britain. Classical roles here mean roles in plays written up until 1904, the year Chekhov died. The first prize is £5,000; the second prize £1,500; the third prize £500. The guest of honour presenting the prizes will be Sir Peter Hall, founder of the Royal Shakespeare Company and former director of the National Theatre. My fellow judges this year are Jane Lapotaire, currently appearing in the great RSC production of Ghosts; Serena Hill, casting director of the Royal National Theatre; and Nicholas Wright, playwright and director, and one of the National's associate directors.
The award commemorates Ian Charleson, who died of Aids, aged 40, just four years ago while playing Hamlet in Richard Eyre's production at the Olivier. No one who saw Charleson's performance is likely to forget it. He was a bright, shining Prince facing an inevitable darkness. The dynamic, elegant, precise delivery, a frisky but melancholy humour laced with sardonic venom, the poised, virile, athletic command of the vast stage, were hiding a body holding on to its last ounces of strength with a precarious, but determined, ferocity. Actors who worked with him say he was so weak that the slightest push might have toppled him over; but to the unknowing spectator none of that was apparent. I knew that Charleson had been ill but had no inkling of the nature of his illness; yet I sensed, as I believe did most people in that packed house, that when he spoke of special providence in the fall of a sparrow, of the inevitable approach of that fell sargeant death, he spoke as someone who saw and understood the imminent end.
The point about Charleson was that he reached greatness too late. Ian McKellen said about him that he played Hamlet like someone who had rehearsed the role all his life; and in his last weeks Charleson realised that his future, if he should have one, ought to lie with the great Shakespearian roles. Looking back, Charleson's short life seems to have been an unselfconscious preparation for such greatness; and yet, after his huge success in Chariots of Fire, he waited, with strong but decreasing hope, for the call of Hollywood and the Big Break. It never came. That was Hollywood's loss.
The Ian Charleson Award honours the actor whose name it bears. But it also warns young actors to be firm with themselves and guard their priorities.
Classical acting is the bedrock of the theatre. The classical actor lives in two worlds simultaniously: the world of the past in which his play is set, and the world of the present for which he is playing. He is an ambassador of the mind and the imaginatiion, charged with representing the ideas of the past to the country called the present, and he has to take care that we in the present understand his mission. He has to be able to speak a language of both.
This year's shortlist for the Ian Charleson Award, like the three previous shorlists, has been drawn up with an eye to promise, achievement and technique. In our view, clarity and precision of speech are the indespensable foundation of all acting. An actor who does not speak well is like an electric light which blinks: you know that there is something to see, but you cannot make it out. The other main factor, the psychological understanding of the role, is inextricably bound up with clarity of speech: they are both tributaries of an art fed by the same source. Our shortlisted actors have been chosen because they show that they understand this: we all wish them a strenuous, but successful, future.

Winners of Sunday Times-Royal National Theatre Ian Charleson Award


YEARACTOR DRAMA SCHOOL THEATRE/PLAY
1991 Ian Hughes National Youth Theatre of Wales Lyric Hammersmith/
Torquato Tasso
1992 Tom Hollander .Lyric, Hammersmith/
Way of the World
1993 Emma Fielding Royal Scottish Academy of Music and Drama Almeida Theatre/
School For Wives
1994 Toby Stephens London Academy of Music and Dramatic Art Royal Shakespeare Company/
Coriolanus
1995 Lucy Whybrow Central School of Speech and Drama Royal Shakespeare Company /
Romeo and Juliet
1996 Alexandra Gilbreath London Academy of Music and Dramatic ArtEnglish Touring Theatre/
Hedda Gabler
1997 Mark Bazeley .English Touring Theatre/
The Seagull
1997 Dominic West Guildhall School of Music and DramaPeter Hall Company/
The Seagull
1998 Claudie Blakely Central School of Speech and Drama West Yorkshire Playhouse, Leeds/
The Seagull (Nina)
1999 Rupert Penrys-Jones Bristol Old Vic Theatre School. Royal Shakespeare Company
Don Carlos
2000 David Oyelowo London Academy of Music and Dramatic Art Royal Shakespeare Company
Henry VI
2001 Claire Price . Royal National Theatre
The Relapse (Berinthia)
2002 Rebecca Hall .Peter Hall Company
Mrs. Warren's Profession (Vivie)
2003 Lisa DillonRoyal Academy of Dramatic ArtAlbery Theatre
The Master Builder (Hilde Wangel)
2004 Nonso Anozie Central School of Speech and DramaCheek by Jowl
Othello (Othello)
2005 Mariah Gale .Regent's Park Company
Twelfth Night (Viola)
Southwark Playhouse
Tis Pity She's a Whore (Annabella)
Oxford Stage Company
The Last Waltz


Finalists for the 1993 Sunday Times-Royal National Theatre Ian Charleson Award
ACTOR DRAMA SCHOOLTHEATRE/PLAY
Helen Baxendale Bristol Old Vic Theatre School Glasgow Citizens Theatre/
The Soldiers
Emma Fielding Royal Scottish Academy of Music and Drama Almeida Theatre/
School For Wives
Mark Lockyer Royal Academy of Dramatic Art Royal Shakespeare Company/
King Lear
The Tempest
Merchant of Venice
Helen McCrory Drama Centre Royal National Theatre/
Trelawny of the Wells
Adrian Scarborough Bristol Old Vic Theatre School Manchester Royal Exchange /
Comedy of Errors
Michael Sheen Royal Academy of Dramatic Art Cheek By Jowl/
Don't Fool With Love


Finalists for the 1994 Sunday Times-Royal National Theatre Ian Charleson Award
ACTOR DRAMA SCHOOLTHEATRE/PLAY
Mark Bazeley . Cheek By Jowl/
Measure for Measure
Henry Ian Cusick Royal Scottish Academy of Music and Drama Glasgow Citizens Theatre/
Oedipus Rex
Torquato Tasso
Anastasia Hille Drama Centre Cheek By Jowl/
Measure for Measure
Marianne Jean-Baptiste . Cheek By Jowl/
Measure for Measure
Guy Lankester Bristol Old Vic Theatre School Bristol Old Vic/
Twelfth Night
Jude Law . Royal Shakespeare Company/
Ion
Toby Stephens London Academy of Music and Dramatic Art Royal Shakespeare Company/
Coriolanus


Finalists for the 1995 Sunday Times-Royal National Theatre Ian Charleson Award
ACTOR DRAMA SCHOOLTHEATRE/PLAY(ROLE)
Rakie Ayola Welsh College of Music and DramaBirmingham Repertory Theatre
Way of the World (Millamant)
Benedick Bates London Academy of Music and Drama Glasgow Citizens Theatre/
Don Carlos (title role)
Paul Bettany . Royal Shakespeare Company/
Julius Caesar (Strato)
Alexandra Gilbreath London Academy of Music and Dramatic Art West Yorkshire Playhouse/
King Lear
Victoria Hamilton London Academy of Music and Dramatic ArtPeter Hall Company/
The Master Builder (Hilde Wangel)
John Light London Academy of Music and Dramatic Art Almeida/
The Tower
Julian Rhind-Tutt Central School of Speech and Drama National Theatre/
Richard II
Catherine Russell . Out of Joint/
Three Sisters (Masha)
Zubin Varla Guildhall Royal Shakespeare Company/
Romeo and Juliet (Romeo)
Lucy Whybrow Central School of Speech and Drama Royal Shakespeare Company/
Easter
Romeo and Juliet (Juliet)


For full article on 1997 nominees see Sunday Times Online CULTURE for April 26, 1998
Trevor Nunn, director of the National Theatre . . .opened the winners' lunch by warning that traditional verse-speaking was facing a crisis. "As schools drop Shakespeare from the classroom and can no longer afford to take children to the theatre, we may enter the next millennium with classical theatre regarded as an endangered species," he warned.
Nunn revealed he will be doing his bit to stem this decline. "Now seems to be a good moment to declare that Sir Peter Hall, Adrian Noble, director John Barton and myself, prompted by David Suchet, are pledged to organise an annual verse and text workshop open to all-comers. If we don't do something, then the classical tradition that inspired us all will dwindle and die."
This plan was welcomed loudly by guests such as Janet Suzman, Michael Gambon, Felicity Kendal, Zoe Wanamaker, Ian McKellen and special guest Paul Scofield, who may now find themselves being asked to coach budding Oliviers on the South Bank.


Finalists for the 1997 Sunday Times-Royal National Theatre Ian Charleson Award
ACTOR DRAMA SCHOOLTHEATRE/PLAY
Kate Ashfield . Gate Theatre, Dublin/
Woyzeck
Mark Bazeley . English Touring Theatre/
The Seagull
Toby Cockerell Anna Scher TheatreGlobe Theatre/
Henry V
Dominic Curtis .Perth Theatre/
As You Like It
James Dreyfus .Birmingham Repertory Theatre/
Julius Caesar
Anne Marie Duff Drama CentreRoyal National Theatre/
King Lear
Ray Fearon Rose Bruford College of Speech and DramaRoyal Shakespeare Company/
Romeo and Juliet
Victoria Hamilton Peter Hall Company/
The Provok'd Wife
Tom Hollander .The Almeida/
The Government Inspector
Andrew Howard .The Donmar/
Electra
Jason Hughes London Academy of Music and Dramatic ArtManchester Royal Exchange/
The Illusion
Paul McEneaney .Belfast Lyric's/
Midsummer Night's Dream
Julie Sawalha .Manchester Royal Exchange/
The Illusion
Michael Sheen Royal Academy of Dramatic Art Royal Shakespeare Company/
Henry V
Lise Stevenson Mountview Theatre SchoolNottingham Playhouse/
Measure for Measure
Zoe Waites Royal Academy of Dramatic Art Royal Shakespeare Company/
Romeo and Juliet
Dominic West Guildhall School of Music and DramaPeter Hall Company/
The Seagull


Finalists for the 1998 Sunday Times-Royal National Theatre Ian Charleson Award
ACTOR DRAMA SCHOOLTHEATRE/PLAY (ROLE)
Claudie Blakely . West Yorkshire Playhouse, Leeds/
The Seagull (Nina)
Kathy Kiera Clarke . Glasgow Citizens Theatre/
Seneca's Medea (title role)
Hermione Gulliford . Crucible Theatre, Sheffield/
Twelfth Night (Olivia)
Paul Hilton Welsh College of Music and Drama Globe Theatre, Bankside/
As You Like It (Orlando)
Thusitha Jayasundera Royal Academy of Dramatic Art Young Vic/
Twelfth Night (Viola)
Susan Lynch . Almeida/
The Storm (Katerina)
Stephen Mangan Royal Academy of Dramatic Art Cheek by Jowl/
Much Ado About Nothing (Don Pedro)
and
Royal Shakespeare Company/
The School for Scandal (Sir Benjamin Backbite)
Matthew McFadyen Royal Academy of Dramatic Art Cheek by Jowl/
Much Ado About Nothing (Benedick)
and
Royal Shakespeare Company/
The School for Scandal (Charles Surface)
Jo McInnes Mountview Theatre School Royal Shakespeare Company/
Uncle Vanya (Sonya)
Kevin McKidd . Almeida/
Britannicus (title role)
David Oyelowo London Academy of Music and Dramatic Art Gate/
The Suppliants (The King)
Kelly Riley . Royal National Theatre/
The London Cuckolds (Peggy)


Finalists for the 1999 Sunday Times-Royal National Theatre Ian Charleson Award
For full article on 1999 nominees see Sunday Times Online SEARCH for August 13, 2000.
ACTOR THEATREPLAY ROLE
Ariyon Bakare Royal Shakespeare Company
/Young Vic
The Servant of Two Masters Florindo
Emma Cunniffe English Touring Theatre The Master Builder Hilde
Megan Dodds Young Vic Hamlet Ophelia
Gabrielle Jourdan National Theatre The Merchant of Venice Jessica
Jude Law Young Vic 'Tis Pity She's a Whore Giovanni
Aidan McArdle Royal Shakespeare Company Othello/ A Midsummer Night's Dream Roderigo (Othello)/ Puck
Patrick Moy Royal Lyceum, Edinburgh Macbeth Malcolm
Kirsten Parker Theatr Clwyd Twelfth Night Viola
Rupert Penry-Jones Royal Shakespeare Company Don Carlos Don Carlos
Claire Price Royal Shakespeare Company Don Carlos Princess Eboli
Iain Robertson National Theatre The Mysteries Adam/Isaac/Shepherd


Finalists for the 2000 Sunday Times-Royal National Theatre Ian Charleson Award For full article on 2000 nominees see Sunday Times Online SEARCH for March 25, 2001.
ACTOR THEATREPLAY ROLE
Nancy Carroll Royal Shakespeare Company Henry IV Lady Percy
Chiwetel EjioforNational Theatre Romeo and Juliet Romeo
Martin Hutson Crucible Theatre, Sheffield As You Like It Silvius
Molly Innes Theatre Babel, Glasgow Electra Electra
John LightRoyal Shakespeare Company The Seagull Constantine
James O'DonnellRoyal Shakespeare Company Henry IV Page/Ostler
David Oyelowo Royal Shakespeare Company Henry VI Henry VI
Joe Renton Royal Shakespeare Company Henry IV Peto
David Tennant Royal Shakespeare Company The Comedy of Errors Antipholus of Syracuse
Sam Troughton Royal Shakespeare Company Henry VI Young Talbot
Justine Waddell Royal Shakespeare Company The Seagull Nina
Zoe Waites Lyric Theatre, Hammersmith The White Devil Vittoria

Sunday Times Online, SEARCH for May 19, 2002.
Young, gifted and actors
Adrienne Connors
THE 12th Ian Charleson Awards ceremony was one of the most star-studded and joyous yet staged. Dames Judi Dench and Eileen Atkins, Henry Goodman, Sir Peter Hall, Ian McDiarmid, Felicity Kendal, Cherie Lunghi and Denis Quilley were just a few of the theatrical doyens who gathered for the occasion.

Sponsored by The Sunday Times and the National Theatre, the awards recognise performances by actors under 30 in a classical play. They also honour an actor who died tragically young, and who, as the NT's director, Trevor Nunn, put it, "found it impossible to take himself too seriously, but cared passionately about his art".

The ceremony was special this year because Charleson's mother, Jean, and brother, Ken, attended for the first time. "For the cause of youth, in Ian's name we gather," Nunn declared at the start. John Peter, The Sunday Times theatre critic, recalled that Charleson's Hamlet - the role he was playing at the time of his death - was the first time he had seen a standing ovation for a classical play. He realised "I was in the presence of someone quite, quite exceptional".

Fifteen young actors won commendations in the awards. The judges, Penelope Wilton, Howard Davies and John Peter, awarded the £5,000 first prize to Claire Price for her Berinthia in The Relapse (NT), for an "infectiously sexy and funny" performance. In second place was Zoe Waites, "a very witty and lovely" Viola in Twelfth Night (RSC). The third prize went to James D'Arcy, who, as Gaveston in Edward II (Crucible, Sheffield), "overcame the difficulty of making him too louche or wicked, to create a character that gave the play a balance". A sense of harmony, too, was the overwhelming feeling at the end of the celebration.

Finalists for the 2001 Sunday Times-Royal National Theatre Ian Charleson Award For full article on 2001 nominees see Sunday Times Online SEARCH for May 12, 2002.
ACTOR THEATREPLAY ROLE
Claire Cox Royal Shakespeare Company Julius Caesar Portia
Benedict CumberbatchRegent's Park Love's Labour's Lost King of Navarre
James D'ArcyCrucible Theatre, Sheffield Edward II Gaveston
August DiehlBurgtheater, Vienna, at the Edinburgh Festival The Seagull Konstantin
John HopkinsRoyal Shakespeare Company Julius Caesar Octavius
Martin HutsonComedy Theatre, London Ghosts Oswald
Gerald Kyd English Touring Theatre Love's Labour's Lost King of Navarre
Kevin Lennon Theatre Babel, Glasgow 'Tis Pity She's a Whore Giovanni
Kirsten Parker English Touring Theatre Love's Labour's Lost Princess
Claire PriceRoyal National Theatre The Relapse Berinthia
Sam Troughton Royal Shakespeare Company Richard III Richmond
Zubin VarlaRoyal Shakespeare Company The Tempest Caliban
Zoe Waites Royal Shakespeare Company Twelfth Night Viola
Johanna WokalekBurgtheater, Vienna The Seagull Nina
Kaye WraggRoyal Exchange, Manchester Uncle Vanya Sonya

14th April 2003 - What's on Stage News
Finalists for the 2002 Sunday Times-Royal National Theatre Ian Charleson Award

First prize to Rebecca Hall as Vivie, her professional stage debut, in Sir Peter Hall's production of Mrs. Warren's Profession. Second prize to Daniel Evans for English Touring Theatre's revival of Ibsen's Ghosts and Ariel in Michael Grandage's production of Shakespeare's The Tempest at the Sheffield Crucible. Third prize to Iain Robertson for his Trinculo in the same production of The Tempest.

.
ACTOR THEATREPLAY
Nonso Anonzie RSC Academy King Lear
Justin Avoth Manchester Royal Exchange A Midsummer Night's Dream
Lucy Black Bristol Tobacco Factory Twelfth Night
Nancy Carroll Almeida King Lear
Daniel Evans Sheffield Crucible/
English Touring Theatre
The Tempest/
Ghosts
Naomi Frederick Nuffield Theatre, Southampton Three Sisters
Dan Fredenburgh Lyric Hammersmith / RSC The Prince of Homburg
Rebecca HallPeter Hall Company Mrs. Warren's Profession
Ryan Kiggell RSC Academy King Lear
Kanawa Kirimi RSC Pericles
Claire Price Sheffield Crucible The Tempest
Iain Robertson Sheffield Crucible The Tempest
Sam Troughton National Theatre Tartuffe



Finalists for the 2003 Sunday Times-Royal National Theatre Ian Charleson Award

First prize to Lisa Dillon as Hilde Wangel in Anthony Page's production of Ibsen's The Master Builder, for which she also won the Critics' Circle Award for Most Promising Newcomer. Second prize to Louisa Clein as Hilde Wangel in Trevor Nunn's production of Ibsen's The Lady from the Sea. Third prize to Eve Myles for the Royal Shakespeare Company productions of Titus Andronicus and The Taming of the Shrew.
ACTOR THEATREPLAY
Jamie Beamish Regent's Park Open Air Theatre Two Gentlemen of Verona
Kellie Bright Manchester Royal Exchange The Seagull
Nancy Carroll Sheffield Crucible A Midsummer Night's Dream
Louisa Clein Almeida The Lady from The Sea
Lisa DillonAlbery Theatre The Master Builder
Felicite du Jeu National Theatre Henry V
Rebecca Hall Peter Hall Company As You Like It
Rory Kinnear RSC The Taming of the Shrew
Emma Lowndes Manchester Royal Exchange The Seagull
Tobias Menzies Playhouse Theatre Three Sisters
Joseph Millsom Peter Hall Company As You Like It
Eve Myles RSC Titus Andronicus, The Taming of the Shrew
Paul Ready Bristol Old Vic The Comedy of Errors
Steven Robertson Manchester Royal Exchange The Seagull



2004 Awards:

Only 4 names have been found from the 2004 Awards.

First place to Nonso Anozie as Othello for Cheek by Jowl. Second place to Naomi Frederick as Isabella in Measure for Measure for Theatre de Complicite. Third place to Ben Wishaw as Hamlet for Old Vic Company. A special commendation to David Nicolle as Ion for Mercury Theatre Company



2005 Awards:
First place to Mariah Gale, for Viola (Twelfth Night, Regent's Park), Annabella (Tis Pity She's a Whore, Southwark Playhouse) and The Last Waltz season, Arcola. Miss Gale was also the recipient of the CriticsÕ Circle Award for Most Promising Newcomer.

Second prize to Sinead Matthews for Hedvig in Wild Duck and Polly in You Never Can Tell. Third prize to Benedick Cumberbatch as Tesman in Hedda Gabler (Almeida)
ACTOR THEATREPLAY(Role)
Peter BramhillRSC Thomas More (Lifter, Lady Vanity)
Benedick CumberbatchAlmeida Hedda Gabler (Tesman)
Michelle Dockery National Pillars of the Community (Dina Dorf)
Mariah GaleRegent's Park
Southwark Playhouse
Oxford Stage Company at Arcola
Twelfth Night (Viola)
Tis Pity She's a Whore (Annabella)
The Last Waltz season
Edward Hogg Gate Woyzeck (Woyzeck)
Rory KinnearDonmar Mary Stuart (Mortimer)
James LoyeRegent's Park
Regent's Park
Cymbeline(Cloten)
Twelfth Night (Andrew Aguecheek)
Lyndsey MarshalAlmeida The Hypochondriac (Toinette)
Sinead MatthewsDonmar
Peter Hall Company
Wild Duck (Hedvig)
You Never Can Tell (Polly)
Caitlin MottramRSC A Midsummer Night's Dream (Helena)
Nicholas ShawOxford Stage Company Easter (Benjamin)


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