The Love Parade (Paramount, 1929) w/Maurice Chevalier -- (Nominated
for Academy Award for Best Picture)
The Vagabond King (Paramount, 1930) w/Dennis King -- filmed in two-strip Technicolor
Monte Carlo (Paramount, 1930) w/Jack Buchanan
Let’s Go Native (Paramount, 1930) w/Jack Oakie
The Lottery Bride (United Artists, 1930) w/Joe E. Brown
Oh, For a Man (Fox, 1930) w/Reginald Denny
Don’t Bet on Women (Fox, 1931) w/Roland Young
Annabelle’s Affairs (Fox, 1931) w/Victor McLaglen
One Hour With You (Paramount, 1932) w/Maurice Chevalier -- Nominated
for Best Picture
Love Me Tonight (Paramount, 1932) w/Maurice Chevalier
The Cat and the Fiddle (MGM, 1934) w/ Ramon Novarro -- Finale shot in two-strip Technicolor (V)
The Merry Widow (MGM, 1934) w/Maurice Chevalier -- Won Academy
Award for Interior Decoration (V, L)
Naughty Marietta (MGM, 1935) w/Nelson Eddy -- Nominated for
Best Picture; won Academy Award for Sound Recording in 1935; won Gold Medal
for Best Picture of the Year from Photoplay Magazine in 1935 (V, L)
Rose Marie (MGM, 1936) w/Nelson Eddy (V, L)
San Francisco (MGM, 1936) w/Clark Gable -- Nominated for
Best Picture; won Gold Medal for Best Picture of the Year from Photoplay
Magazine in 1936 (V, L)
Maytime (MGM, 1937) w/Nelson Eddy -- Nominated for Best Score
and Best Sound Recording (V, L)
The Firefly (MGM, 1937) w/Allan Jones (V)
The Girl of the Golden West (MGM, 1938) w/Nelson Eddy (V)
Sweethearts (MGM, 1938) w/Nelson Eddy -- Won Gold Medal for
Best Picture of the Year from Photoplay Magazine for 1938; nominated for
Best Score and Best Sound Recording -- Filmed in three-strip Technicolor (V, L)
