TS Lighting Tip #1

Never underestimate the importance of lighting.

Lighting is everything. It adds atmosphere, it shows style, it sets the mood. It can highlight your textures and hide your mistakes. An overlit scene looks like crap, an underlit scene looks like mud - despite your modelling and texturing. It will make or break your scene. As simple as that.

TS Lighting Tip #2

I can model and texture on instinct, but I have to think about lighting.

Pay attention to the world around you, keep note of the way things are lit up both inside and outside. Look at the play of shadows, the angle of the sun and the color of the light. Write them down.

Know how you want your scene to look and then design the lighting around it, base it upon reality (if you can).

Know what kind of mood you want the scene to be, because the lighting is going to set that for you.

TS Lighting Tip #3

Watch old black and white movies

The lighting in these old films can be terrific, especially the old Hitchcock ones.

Dark, moody, lighting seems to have been the order of the day back then, and these guys were masters at it.

TS Lighting Tip #4

Don't be afraid to experiment.

Once you have a lighting scheme you like, glue the lights together, save them as lights1.cob (or whatever), delete them and start again. If you need them back, just load them in and they will be back in their saved places with their saved settings.

Do some test renders with different schemes, then load the light group that looks the best for your final render.

TS Lighting Tip #5

Don't be afraid to use the default lighting schemes

The white lights, the colored lights and the VRML lights (in TS3) are actually very well thought out lighting patterns. I will sometimes start with one of these (usually the colored lights) and proceed from there, modifiying and adding lights as needed.

TS Lighting Tip #6

Set a KEY light

The key light is the main light in the scene, it provides the majority of the lighting, if you want shadows, this should be the one to cast them.

All other lights in the scene should support this one by providing fill, or localized highlighting as needed.

TS Lighting Tip #7

Don't go crazy on the lighting

Sometimes you'll see people bragging about how many lights they have in a scene, "I got me a hunderd o' them're lights in my scene"

I'm not impressed.

Try to use as few lights as you can, and try to keep the number under 5 if possible.

Remember, the more lights you add, the more work your CPU has to do and the longer it will take to render.

That being said, with one light objects will sometimes (but not always) look flat, 2 or more lights will give a nice illusion of depth.

Actually, I am impressed with the guy who can get incredible lighting effects from only 3 or 4 lights. That shows skill in my book.

This one of those times where less can be more (usually).

TS Lighting Tip #8

Choose your lights carefully

TS has 3 different types of lights, spot, infinite, and omni (local), and each of these has very different uses in my mind.

Infinite Lights - cast an even light across the whole scene with no fall off. They are best reserved for outdoor lighting (and only 1 or 2 should do the trick) or at low intensity settings as a basic fill light, eg. moonlight or ambient lighting in a room. They can also be used to soften shadows. Use the Lookat function to point the light in the direction you want it to go.

Spot Lights - these can be tricky to manipulate, but work well for interior lighting and very localized fill lighting. Use the Lookat function to make it shine where you want it to.

Omni (local) Lights - sheds light in all directions (and through objects - even opaque ones - if shadow casting isn't enabled). Because of this, these are the most difficult to use (if you ask me). You don't have much control over where the light goes, except in relation to it's fall off. I use these mainly to convey a "glow-like" lighting to the scene, or to add very discreet light sources.

TS Lighting Tip #9

Raytraced Shadows or shadowmaps?

This is more of a personal preference than anything else, but here are a few guidelines:

Shadow Maps - give a softer edge to the shadow and are good for scenes with low level or afternoon lighting. Since they are rendered at the beginning of the scene, they are CPU friendly, and can cut down on your render times. However, sometimes they can be a little "off" and quite noticeable.

Raytraced Shadows - tend to be hard-edged and are good for scenes with bright lighting or "high noon" settings. I personally, like raytraced shadows better and usually use them, they seem more natural to me.

You can use spot and infinite lights to soften the edges of raytraced shadows from your key light.

Morning and evening = soft shadows

Late morning, noon, afternoon = hard shadows

TS Lighting Tip #10

Negative Lights

You can't drag the intensity slider to a negative setting but you can type in a negative value.

This creates a "negative light" that sucks light out of your scene.

These work best with omni lights that can then be set in corners etc. to enhance shadows and darken areas of the scene.

TS Lighting Tip #11

Light for black and white and then add color

This works for me, you could be different...

I first try to imagine the scene as black and white and plan my lighting accordingly, setting light types, intensity, and arranging shadows. This goes a long way to setting the mood and tone of the scene.

Then I go back and adjust the color of the lights.

The reason I do this is because the color of the lights affects the color of everything in the scene. I'm a simple guy, if I'm working with too many variables all at once (type, intensity, position, color), then it can be hard for me to isolate the effect of changes. It just makes my life easier, to break tasks up. Did that make sense?

TS Lighting Tip #12

Lighting adds depth

Make your foreground lighter and your background darker - it gives that illusion of "receeding depth"

Also try cross-lighting, place spotlights in the back corners of the scene and aim them forward and diagonal, across the scene. This will light up the foreground and provide nice reflections for things in the light's path.

Backlighting or placing the light behind the object and facing the camera shortens the foreground of the image and removes all detail from the object, used sparingly it can greatly enhance the "emotion" of the scene, but by the same token it will definitely flatten the image.

TS Lighting Tip #13

Get your color right

Couple things to remember here.....

The color of the lights will change the color of the objects - if you shine a blue light on a yellow object, it will look green.

Sunlight is not white - the color changes depending on the time of day and weather/sky conditions. Experiment with different shades of yellow, pink and orange. This is subtle, don't go crazy.

The exception to this might be a cloudy overcast sky - in which a grey (low intensity white) light would work.

Incandescent lights (light bulbs) are a yellow/orange.

Flourescent lights are a pale sickly green.

TS Lighting Tip #14

Make your own shadows

Map a simple alpha channelled texture onto a plane and then place this in front of a shadow-casting spotlight. This will create a nice dappled (or whatever) shadow pattern on the objects in the scene.

This is a great way to simulate the shadows cast by sunlight shining through trees.

TS3 Lighting Tip #15

Volumetric Lighting

Although TS3 does not have volumetric lighting, here is a great way to simulate it.

First create and set up your spotlights.

Then stack about 15-20 planes, each about 0.1 apart, below the lights.

Put the following setting on the planes:

- R255,G255,B255

- Ambient 0.0

- Shine 0.0

- Rough 0.0

- Opacity 0.05

- Refract 1.0

Voila! Volumetric lighting. Vary the distance between the planes for differing degrees of effect.

Here's a sample scene, and here is the final rendered image.

This tip graciously donated by RWWendt@ix.netcom.com

TS Lighting Tip Examples