Denver Science Fiction & Fantasy Book Club |
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Forever Peace (1997) |
| RATINGS:
How we each rated this book |
| Dan | 8 | Amy | 8 |
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10 Wow! Don't miss it 8-9 Highly recommended 7 Recommended 5-6 Mild recommendation 3-4 Take your chances 1-2 Below average; skip it 0 Get out the flamethrower! U Unfinishable or unreadable - Skipped or no rating given |
| Cheri | 8 | Barb | 7 | ||
| Aaron | 5 | Cynthia | 8 | ||
| Lars | - | Jackie | - | ||
| Kerry | 5 | Lindsey | - |
| Aaron's Commentary
Joe Haldeman - Forever Peace
Although this novel is deeply flawed, it is worth reading because it is a new approach to Haldeman's usual themes of war and violence. I sympathized with Julian, and I thought it was very effective for him to be the one always required to do violence, when he's such a pacifist that even obviously justified killing makes him suicidal. The biggest problem with the book is the issue of the disastrous Jupiter Project. The focus of the story, the effort to "humanize" everyone, gets badly overshadowed by the fact that THE UNIVERSE IS ABOUT TO END. Instead of seeming noble, the main characters seem incredibly stupid working on their scheme to end war rather than doing everything they can to stop the Jupiter Project. The interesting moral issues - Should you pacify everyone? Even against their will? Even if some will die in the process? - also get lost. Haldeman should have dropped the whole Jupiter Project sub-plot and replaced it with something related to the humanization scheme, like a plan by U.S. leaders to expand the scope of the war (with the Hammer of God pushing to expand it all the way). Haldeman also has a problem with plausibility. Ten days linked together and soldiers are killing machines, fifteen days and they're totally pacified? And if nanoforges can magically make almost anything, why don't people demand more of them? What on earth would motivate the Hammer of God, and what have they been doing up to now? And why do they do such stupid things, like deciding not to kill someone because it might attract attention, so instead leave him wandering around with no memory? Haldeman needs to try a lot harder to convince me of all of this. The characterization is just adequate. Everyone but Julian is interchangeable (all nerds). The constant switching from first to third person is distracting. And the story is not well-structured. Things like Ameilia's affair and Gavrila's hunt don't end up tying into anything else, and the ending of the novel pops out of nowhere. All of Haldeman's stories about war merit attention, but this one suffers in comparison to his other work. What do you think? Your comments are welcome. Please send them to vanaaron@excite.com |