|
COMING SOON
COMING SOON!
THE 2006 INTERFILK QUILT from
GaFilk
 |
 |
| Kathleen Sloan gloats over FINALLY
winning an Interfilk Raffle Quilt at GaFilk Five (Jan. 2003) |
AAnnnnnnd...here's the finished product!
(Which was actually shipped to her only about a month after the
convention. This may be a new personal best for us.) |
|

|

|

|
|
This is the first quilt that GaFilk made: it raised $208
for Interfilk.
|
This is the second quilt that GaFilk made: IT raised
around $275 for Interfilk.
|
This is the third quilt from GaFilk; It has been long
enough since January 2002 that I've forgot how much it raised.
|
update 3-17-2004
This all started with the observation of all the finger and fiber crafts
going on around the filk circle at the first GaFilk. Besides my own (Margaret
Middleton speaking) patchwork project, there were Margaret Bumby knitting, Dell
Stinnett doing Hardanger embroidery, Kathy Horning with needlepoint, and
somebody else doing counted cross stitch (probably Melissa Glasser). That’s enough for a show-and-tell
panel for next year, I observed to Brenda Sutton during the DeadDogDinner
Sunday night.
A couple of hours later, she came back with how-about the craft panel
actually make something at next year’s con? My response was: everybody
do their thing on a square of fabric ahead of time and we could come up with
something.
The eventual result, you can see. We spent most of Saturday at the back
of the program room, with two sewing machines, an ironing board and iron,
various quilting notions, and [a last-minute inspiration which paid off
big-time] a modest but eclectic palette of fabrics out of my and Brenda's
stashes in case inspiration struck on the spot.
|
Boy, did it!
MassFilc (the green hat), Dell Stinnett (the two Log
Cabin blocks) and I were the only ones who actually made blocks ahead of
time. Brenda Sutton and Michael Liebmann both came in with firm
ideas of what they wanted to do, and the rest of the blocks were dreamed
up and executed on the spot, mostly by folks who had never done this sort
of thing before. The quilt raised $208 for Interfilk, and was won by Jan
DiMasi of Glen Ellyn, IL. I (Margaret) attached the label and edge
bindings, and shipped the quilt to Jan when it was finished.
|

|
The second year, I brought along a supply of ready-to-decorate blocks, which
proved very popular. Decorations-added included rubberstamped dandelions by
Kathy Mar, a stamp of the FKO logo, and a cat applique'. Seeing the format in
person inspired several other folks to do squares-within-borders blocks using
the fabrics brought by Brenda and me. Melissa Glasser brought a small
counted-cross-stitch kit which she did at the convention and then set
borders to, to bring it up to the 8" square size we use. The quilt's
size varies from year to year: 4x5 blocks for the first
one, 4x6 blocks for the second, 5x5 blocks for the third, back to 4x5 last year. Realistically, 5x5 or
5x6 is about as large as can be conveniently hung on a wall or used as a lap
quilt while traveling. If we get more blocks than that, we’ll have to consider
doing 2 smaller quilts, perhaps with the second one being sent to a different
Interfilk fundraiser. [If there are only one or two blocks left over after
getting the quilt to a sensible size, we can discuss Interfilk Potholders…]
WHAT TO DO FOR THIS
YEAR
THE BASICS
- Do your thing on a n 8.5 inch
square of (preferably cotton) fabric, or order one of the kits
to decorate.
- Stack that together with an 8
inch square of low-loft quilt batting and a 9 inch square of backing fabric.
Be precise in the
centering, since the back and the front have different seam allowances.
- Quilt the stack together,
leaving at least a 1.5 inch margin un-quilted all around.
Use a plain running stitch or machine stitching.
- Sign your block just inside
the quilted area.
- Bring or send the block to
GaFilk 2005 or to Margaret Middleton or to Brenda Sutton. [Note that
Margaret has moved since we started doing th is]
|
Margaret Middleton
801 S. Rodney Parham #2A
Little Rock, AR 72205
|
Brenda Sutton
3292 Winterberry Cir.
Marietta, GA 30062
|
(Those of you familiar with quilting have probably recognized the early steps
of Georgia Bonesteel’s lap-quilting technique in these instructions.)
THE DETAILS (Margaret
speaking)
As I worked-out the basics, quite a few technical questions occurred to me.
I’ll list them, with my answers. If I’ve missed anything, email
me the question and I’ll respond, and add the set to this page.
How much (tremble) quilting do I actually have
to do?
Outline Your Thing. Mark and stitch the outline of a 5 inch square around Your
Thing, if it doesn’t fill up that much naturally.
Why the 1 3/4 inch margin, and how do I manage it?
The margin is needed so we can fold the batting and backing away from the
stitching line when we start splicing the blocks together. Look up Lap
Quilting With Georgia Bonesteel at your library for more details, if you
want. To mark the margin, measure in from each edge of the fabric square 1
3/4 inches and use narrow masking tape to mark the lines, leaving a 5"
square window open in the middle. You can quilt right up to the tape, then pull
it off and leave no pencil markings. Or you can buy or borrow a quilters'
washable marking pen to mark the lines.
What if My Thing runs over the 5 inch square?
Don’t outline whatever extends into that 1 3/4 inch
margin. Find some interior lines to stitch instead. Pin a note to the block
reminding us to finish the outlining once the block is spliced to surrounding
blocks.
Can I applique a piece of needlework fabric onto the
cotton, once I’ve done my embroidery thing ?
Yes. Just outline the applique’d piece same as if it
was embroidered direct on the cotton.
How about crocheted or knitted pieces?
Same thing. Center the item on the 8.5 inch top square and stitch it down, then
outline with quilting.
What sort of fabric should I use?
Cotton solid colors, tiny-print calicos, or (the newest wrinkle) "Textured
Solids". Ask the clerk at the fabric store to show you some.
How do I make my signature permanent?
Most decorative would be to go over it with embroidery thread or liquid
embroidery paint. (Ballpoint pen ink is actually pretty indelible on fabric...)
How do I keep the stack of fabric and batting from
shifting?
Lots of little safety pins. Start at the 4 corners and the middle. Keep adding
pins in open spaces until it feels manageable. After you figure where your
quilting lines are to go, move pins as-needed so you won't be stitching across
any.
I don’t sew at all but I want to contribute.
Find a print fabric at the store with a picture you
like which will fit inside an 8" square. Make a paper pattern that size, to
be sure. Ask the clerk to cut you just enough fabric to get a 9" square
centered on your picture (the extra is for seam allowances when we splice the
blocks together). You can use some of the rest of the fabric for the back or you
can get another fabric entirely (get 1/4 yard). Or, you can order Margaret's
Handy-Dandy Filk Quilt Kit (see above) If you are feeling brave enough, get back
with me (Margaret) and I will coach you through the stitchery. Or you can
put the arm on a friend who DOES sew to stitch around the outline of your
selected image.
I sew, but I’ve never quilted.
Quilting is really big just now. The library will have lots of books on it, and
the local fabric store will have even more. Singer has published a really good
one (on quilting by machine, natch) with excellent photographic illustrations.
How do I get less than a whole quilt’s worth of
batting?
Go in with some others and buy a quarter yard of 45" batting-by-the-yard.
That will be enough to do 5 blocks. Or order the H-DFQK mentioned above and
detailed below.
MARGARET'S HANDY-DANDY FILK
QUILT KIT FOR 2006
|

|
The Ready to Decorate block for 2006 features a large
pale yellow square with borders on two sides. |
Contents:
Top = an 8.5" square pieced of various fabrics.
You can decorate the square however you want: embroidery, fabric paint, applique,...(see
samples below)
Back = a 9" square of random fabric from the same stash.
Also: one square of batting, a card-bobbin of quilting thread, and a quilting
needle.
Basing prices on my local Wal-Mart, I get a dollar even for the materials
cost,
and postage and the cost of the envelope add 75 cents to that.
The quilting thread will be tan or white.
If you email me
ahead of sending the $1.75, I can have your kit ready to go as soon as I get the
check.
I can take PayPal now: send the money to msminlr@sbcglobal.net This
has been upgraded to-where I can take payments funded from a
credit card, but that means they charge me a 30 cent fee on every transaction,
not just the credit card ones. So if you order by PayPal, the kit cost will be
US$2.00 even and I'll eat the difference on the fees.
|
 This
is a block from 2004's quilt. It came from Francine Mullen
of Tulsa, OK. She cites her inspiration as Anne McCaffrey's book
"The Ship Who Sang"
|

|
 |
SAMPLE BLOCKS, AND INSTRUCTIONS
(A) Mark 1.75” in from the outside edge of the kit block, all around.
(B) Decorate the block inside that square however you want.. The
yellow block is done with glittery liquid embroidery paint. The blue block on
the right is done with cut-out images from other fabrics heat-fused in place,
then anchored with zigzag machine stitching. This is how we do a lot of the
made-at-the-convention blocks. The blue block on the left was pieced in
crazy-strips around a central piece containing a picture.
(C) Stack and quilt the fabric, batt, and backing together. [Be precise in
your stacking, as they are different sizes deliberately. It is important to line
up the center points.] On the yellow block,
I stitched around the outline of the image, and around the edges of the
center square, plus a few random curved lines
Link to
Interfilk || Link back to GaFilk
|