'Riding
High'
In 1950, Oliver Hardy made his final solo appearance
without his partner, Stan Laurel. Bing Crosby was filming "Riding High",
Frank Capra's remake of his own 1934 racetrack story "Broadway Bill". Bing
was an old racetrack and golfcourse crony of Babe Hardy's, so when Bing's
latest picture called for a perennial loser on the ponies, Babe seemed a
natural choice after all, it was a role Bing saw Babe play often in
real life!
Word soon spreads its way to Walburn, who gets swept
away in the hysteria. He puts Babe's 20 bucks on Doughboy who,
of course, finishes dead last. The scene ends with a semicomatose Babe being
carried away, muttering "Doughboy" over and over and over ...
It's an interesting scene for a lot of reasons, beginning
with Babe's entrance. The camera starts at
As for Walburn's scam, it certainly would have been
much funnier if Stan had been invited to play. Stan would be easily duped
but hesitant, while Ollie man of the world that he is could
have confidently taken charge and handed over ALL their savings. (Minus two
bucks for the bet, of course!) End the scene on "Here's another nice mess
..." and you could have had a memorable vignette with the boys one,
perhaps, that might have helped to reestablish Laurel & Hardy in
Hollywood.
by Chris Sequin .
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BABE'S
LAST SOLO RIDE
It was strictly a cameo, and Babe leaped at the opportunity
to poke a little gentle fun at himself. In the film, two of Bing's cohorts
a phony Southern colonel (Raymond Walburn) and his sidekick
(William Demarest) are looking for an easy sucker to gyp out
of some betting funds. The mark is Babe ("Pick em and pluck em",
chortles Colonel Walburn), who appears to be having a devastating run of
luck. But for 20 bucks, Demarest will provide Babe with the name of a sure
winner -- Doughboy. Babe's to keep it strictly to on the Q-T, but he spreads
the word like wildfire: "Put all your money on Doughboy!"
his feet (and a litter of losing betting stubs),
pans up his corpulent frame, and stops at his derby-topped face. It's almost
as if Capra is springing a surprise on the audience, teasing them before
announcing, "Hey, look who it is!". But you have to wonder: Would audiences
in 1950, who hadn't seen a new Laurel & Hardy movie in five years, even
recognize Ollie? Or was the roly-poly figure with the bowler hat so firmly
ingrained as an icon that audiences would automatically start laughing?
John McCabe describes Babe's character in "Riding
High" this way: "This is not Ollie. There is no time in the film for this
individual to become anyone." But you could look at this fellow as a twist
on Ollie that is, Ollie without Stan. We first hear him muttering
about his wife, in fear of explaining his losses. You can almost picture
Mae Busch at home with a rolling pin! But where is Stan, to help him
stand up to the missus and scheme up an alibi? This "Ollie" is just a shell
of himself without Stan.