Review # 1 --
Miami NewTimes

The rock I've heard in most Latin rock seems to be derived from such pathetic sources as Journey, Foreigner, Styx, and Loverboy -- slick, glossy stuff that reeks of formula whether the vocals are in English or Spanish. Not so with Arranca, a Cuban-American rock en espanol trio from Cincinnati whose debut album "Exile on Pain Street" (Exilio Doloroso) screams and wails like the Rolling Stones album from which it scavenges its name. Led by one-time Miamian Victor Garcia-Rivera, Arranca mixes the confrontational assault of three chord punk with daring rewrites of Latino classics such as "Oye el Cha Cha," a Forties hit first recorded by Cuba's Trio Matamoros. Arranca is among the gazillion bands playing at the Bayfront Park Amphitheatre Sunday, August 18, during the Premios Rock Latino festival. On Saturday, August 17, they'll be doing an acoustic set at Cafe' Nostalgia in Little Havana. Neither performance should be missed.

-- By John Floyd


Review # 2 --
Punk Planet

Well here's a nice change of pace -- an intelligent, hummable, politically aware (though not PC), billingual (half in spanish) indie rock album. Can't say I ever expected to see the day. Hey, it isn't perfect, but it's pretty damned catchy, and quite entertaining (never heard "Guantanamera" as a punk song before). A rare thing -- something different and good.

-- (DC)


Review # 3 --
City Beat / Cincinnati

And speaking of somewhat unconventional sounds, not only does Arranca play a natty, heart-felt brand of Punk that largely gets passed over by the more sugar-sweet brand, but they throw in Spanish language lyrics in with the English. Quite a risk in most musical communities, let alone for Cincy's notoriously slow-to-catch-on sonic tastes. Arranca -- led by Victor Garcia-Rivera, who comes from a family of Cuban exiles and produces a short wave radio program that has been greeted by Cuban governmental "resistance"-- spits and rolls out feisty, intellectual and immediate messages about Garcia-Rivera's and his familiy's experiences with a personal and honest depth that is largely unrivaled. The band's debut, Exile on Pain Street, operates on the level of a conceptual magnum opus and is one of the best releases of the year so far. Join the group for a show at the Southgate House on Saturday. Proceeds will benefit "Brothers To The Rescue," a Miami-based organization that aides fleeing exiles from Cuba and who recently had their planes shot down by Cuban "authorities

-- By Mike Breen



Review # 4 --
The Chicago Reader

September 21-- Blue Demon Room, Depaul Alumni Hall, Chicago:
Cuban Native Victor Garcia-Rivera mixes punked-up Spanish folk tunes with disarmingly naive bilingual three-chord anthems on this Cincinnati trio's debut release Exile on Pain Street (Roquero). "Himno Racional", a racous take on the Cuban national anthem, has been banned by one Miami radio station and the Cuban government; you can't get much punker than that nowadays!



Review # 5 --
Ink Nineteen

As a musical record, Exile on Pain Street (Exilio Doloroso) is a fairly decent one. Arranca's obviously multi-cultural nature is in the open, as they switch from Spanish to English effortlessly. These roqueros (Spanish for "rockers," duh!) have a strong love for their native Cuba, and in fact most, of the songs here are clearly about the homeland, its exiles, and its current inaccessibility. This record, above average in music, but I must say that its sentiment is highly admired -- rarely these days does someone sing as passionately about ideals, preferring instead to wring their hands over bitchy companions.


-- By Anton Wagner


Review # 6 --
Rational Inquirer

Arranca really surprised me by managing to incorporate traditional acoustic guitars, while not losing any edge. They successfully came up with an ethnic flavored melodic punk record covering several Cuban tunes in the process, while showcasing their Ramones influences. Very original and worth listeing to.

--By (NM)


Review # 7 --
OPEN ZINE

Just imagine a Punk band. A Punk band that sings in Spanish/English. Now put all that together and make the vocalist / guitarist (Victor) Cuban -- is that a beautiful combination or what? The first track, "Oye el Cha Cha" is Punk/Hardcorish, kind of like Garage-Punk. Plus it is sung all in Spanish. Then you are thrown into "Where I Come From" (De Donde Soy). The song has a pop-punkish feel to it. They also sing "Guajira Guantanamera!" This stuff is fresh!! As Victor puts it "We're the I Love Lucy of Punk Rock."


Review # 8 --
New Times Broward/Palm Beach

Beatcrazy

Rafer Guzmán

Arranca is Spanish for "uproot" or "tear out." It's also the name of a new South Florida band that tackles Cuban music — and politics — with the energy of old-school punk rock.

The band's frontman and songwriter, Victor Garcia-Rivera, was arrancado from his Cuban homeland at the age of two when his father, a doctor, emigrated to America. Garcia-Rivera grew up in Cincinnati, Ohio. "I never adjusted to it," he says. "I still clung to my Cuban identity, and I never accepted that my move to the North was permanent."

Arranca's self-produced, self-released album, Exile on Pain Street (Exilio Doloroso), draws from the sounds and moods of the best political punk bands of the late '70s and early '80s. Garcia-Rivera cites as his main influences Stiff Little Fingers and the Clash. "The Clash kind of stole their whole fashion theme from the Cuban Revolution with Sandinista! and the fatigues," he points out. "So I figure, if they can steal from my heritage, I can steal from theirs."

And steal he does. Graying punks will recognize the boisterous pub-chants of the Belfast band Stiff Little Fingers in some of Arranca's songs. But where SLF's choruses were mostly pro-Irish and anti-English, Arranca's are pro-Cuban and anti-Castro. "Himno Racional (Rational Anthem)" tells the tale of two young Cubans struggling to leave the island. On the title track, a terrific sing-along with a pirate-style chorus, Garcia-Rivera sings, "¿Hablo Íngles o Español? Do I drawl my r's or do they roll?"

According to Garcia-Rivera, Cincinnati "is not really much for ethnic diversity. So it was really useless doing anything there." Last winter he relocated to Miami along with his friend Jim Burke, who plays drums, and found a local bassist named Derrick Estefan. Arranca has since played all across Miami-Dade and Broward counties, though gigs have been few and far between. They've also been rather far-flung. Arranca has been booked into odd places such as Dastardly's, the hair-band venue in Fort Lauderdale, and Club Q, the punk-rock dive in Davie.

Garcia-Rivera has certainly done his share of marching through the small-club trenches. As a member of the Edge, an '80s-era punk band, he toured with the Minutemen, Hüsker Dü, the Descendents, and even the Dead Kennedys. The Edge folded after a long run — from 1982 to 1991 — only to see bands such as Green Day, Offspring, and Rancid give birth to a punk revival. Garcia-Rivera found it just a tad ironic. "The whole thing with Green Day happened, and it was just hilarious," he says. "That was like, “Wow, a dozen years ago, this was already happening- with much better bands.” I guess I was playing in the wrong decade."

But instead of reforming the Edge, Garcia-Rivera put together Arranca. "When we first started, the band had more of a punk feel," he explains, "and now the songs have progressed more. We add more elements. We add guaguanco, guaracha, son, that kind of stuff. But we're still a rock band."

For a copy of Exile on Pain Street (Exilio Doloroso), send $7.00 to Victor Garcia-Rivera, 260 Crandon Blvd., Ste. 32-408, Key Biscayne, FL 33149. For more information send an e-mail to roquero@aol.com.



Review # 9 --
Just Go South Florida

Coming up for your listening pleasure are numerous shows that run the gamut from Cuban rock to New York punk.

Speaking of the former, Arranca -- which plays Thursday at the South Beach Pub (the last bastion of rock on the Beach) -- does bilingual rock that will no doubt be compared to Santana, with lyrics that address the experience of growing up in the Cuban exile community. We give them the thumbs up for pegging it.



--By GEORGINA CARDENAS Just Go Editor


Review # 10 --
Censor This #10

Arranca: "Exile On Pain Street (Exilio Doloroso)" CD

Self proclaimed "I Love Lucy of Punk Rock", this is Cuban-American Punk Rock! Fresh, old and new English-Spanish lyrics about the shit happening to his native Cuba. Guitarist-vocalist Victor García-Rivera is a true genius and trooper for commuting from Ohio to Florida taking care of business. If they were from Los Angeles they would probably be one of the biggest Rock en Español acts around, even out-Español-ing Calavera.

"No Return" is by far my favorite tune on this album.

Imagine the Ramones and a little bit of the Clash if they were from Cuba and you have Arranca. 10 songs that fuckin' rule! Cover songs include a 1940's Latino classic by Trio Matamoros called "Oye El Cha Cha".

Originally from Cincinnati, these guys have even had their share of controversy surrounding them since they do the "Cuban National Anthem", their version called "Himno Racional (Rational Anthem)", but with upbeat punk rock music behind it. The Cuban government has banned the song from the radio. Mr. Garcia-Rivera is also the producer of a Miami-based radio show called "Radio Roquero" on shortwave radio station (9955 kHz) at 6 PM on Sundays through Radio Miami International. It's the first Punk Rock Show to Cuba. Miami and Cuban officials have jammed the song when it's played on his show.

Arranca was formed from the ashes of 80's Cincinnati/Boston punk band, The Edge. I think I saw them at Fender's Ballroom with Conflict and a young and untalented NOFX back in '85 or so.

Look out for these guys, I have a feeling us Angelenos are going to be hearing a lot from these guys in the near future.

¡Abajo Fidel!

-SC



Review # 11 --
Jam Magazine 8/28/98

ARRANCA

Exile On Pain Street:

Arranca makes punk rock the way it used to be.

When political exile from a communist country clashes with punk rock, the result is a passionate protest called Exile On Pain Street and a band named Arranca.

Miami-based Arranca’s style of music is unmistakably influenced by The Ramones and British bands like The Clash, Stiff Little Fingers and The Who. When combined with Arranca’s Cuban-born singer/songwriter, guitarist, Victor Garcia-Rivera’s heartfelt, angry lyrics about his and his family’s exile from Cuba, the result is music with an extreme edge.

The pain of exile is a predominant theme in Garcia-Rivera’s lyrics. "Exile on Pain Street is a concept album," says Garcia. "My family didn’t want to come to this country as immigrants...We were exiled here, we came here as refugees."

Garcia-Rivera recently made the move to Miami from Cincinnati, where the band originally formed two years ago. With less than a one percent Hispanic population there, he felt South Florida offered better opportunities for his music.

Drummer Jim Burke joined Garcia in February and bassist Derrick Estefan joined the band in March. Since then, Arranca has been writing new material and playing the cuts off its self-released album Exile on Pain Street," at places like South Beach Pub and the Hungry Sailor.

Arranca is sitting on the cutting edge of a new style of music that seems to echo the reality and authenticity punk rock hasn’t seen for awhile.

It’s the kind of reality that makes its own mark in music history.

by Matt Weinshall



Review # 12 --
Yara! 7/1/98

Another transplant this time from Cincinnati, Ohio is Arranca. Arranca is a punk-rock Cuban-American band which has taken Marti's belief that "Poetry is suffering," and poured their pain out in their first release Exile on Pain Street (Exilio Doloroso). Their album has already been banned in Cuba and heavily criticized in Miami. Their 10th track: Rational Anthem (Himno Racional) is an all out assault on Cuban sacred cows. It's a powerful song of protest which has been adapted from the Cuban national anthem. It is the equivalent of turning a flag upside down: a symbol of distress and national disaster. Exhorting Cuban youth in the island to "renounce the dictatorship, the hardships and the restrictions on liberty which they currently suffer."

by John Suarez




Arranca


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