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Archibald MacLeish |
Archibald MacLeish
[From October 27, 1942 until August 20, 1945 the Lee Boyhood Home was owned by Ada Hitchcock MacLeish and her husband, the American poet Archibald MacLeish. The in-Home wedding of his daughter is described elsewhere. Recently, Mr. MacLeish's son published an account of his 'life with father.' The following is an appreciation of Archibald MacLeish by poet Dana Gioia which appeared as part of the review of that book in the Washington Times of February 25, 2001].
No American writer of distinction has ever played as important a roll in
public service as Archibald MacLeish. After a distinguished early career in
law, journalism, and literature, the eminent poet became the Librarian of
Congress in 1939. A member of Franklin Delano Roosevelt's "Brain Trust,"
MacLeish went on to head the World War II defense information bureau, the
Office of Facts and Figures, as well as the Committee on War Information and
the Office of Censorship.
MacLeish also joined a secret government committee in 1943 to plan the
postwar world and helped draft the design for the United Nations. Appointed
assistant secretary of state for cultural and public affairs in 1944, he
led the publicity effort to sell the American electorate on the U.N. He
also wrote a substantial portion of the organization's charter and headed
the first US. delegation to UNESCO. Meanwhile he also wrote speeches for FDR,
including most of the 1941 inaugural address, and gave regular radio
broadcasts championing administration policies. It was no wonder that his
Library of Congress associates referred to him as Roosevelt's "Minister of
Culture."
MacLeish was also a prolific writer who published over 70 books in both
prose and verse. There were few literary honors he did not receive. He not
only won three Pulitzer Prizes (two in poetry and one in drama), but also a
Broadway Tony (for his verse play "J. B.") and even an Academy Award (for
his documentary, "The Eleanor Roosevelt Story"). A driven man, he wrote too
much and most of that -for obvious reasons - too quickly.
Today his prose seems badly dated and much of the verse and drama feels
preachy and prolix. But a dozen or so of his poems - like "Ars Poetica" and
"You, Andrew Marvell" remain among the splendors of 20th-century American
literature. Few poets of his generation equaled that legacy.