BAROQUE TO CONTEMPORARY | DISSERTATIONS | OTHER MATERIALS

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Orchestral Percussion
Performance Practice

Baroque to Contemporary

[TOP]

Benvenga, Nancy. "Mozartean drumming." Music and Musicians 19/10 (June 1971): 30, 32

Benvenga, Nancy. Timpani and the Timpanist's Art: Musical and Technical Development in the Nineteenth and Twentieth Centuries. Goteborg, Sweden: Goteborg University, Dept. of Musicology, 1979. Series: Studies from Goteborg University, Dept. of Musicology: 3. [Originally the author's Ph.D. dissertation in musicology]

Bowles, Edmund A. "The double, double, double beat of the thundering drum: the timpani in early music." Early Music 19/3 (August 1991): 419-435

Bowles, Edmund A. "Nineteenth-century innovations in the use and construction of the timpani." Journal of the American Musical Instrument Society Vol. 5-6 (1979-1980): 74-143. Reprinted in Percussionist [Percussive Notes Research Edition] 19/2 (March 1982): 6-75

Bowles, Edmund A. "On using the proper tympani in the performance of Baroque music." Journal of the American Musical Instrument Society 2 (1976): 56-68

Brown, Harold J., Jr. "Orchestral timpani parts: To change or not to change?" NACWPI Journal 20/2 (Winter 1971-1972): 27-28, 33, 43

Caldwell, Titcomb. "Baroque court and military trumpets and kettledrums: technique and music." The Galpin Society Journal No. 9 (June 1956): 56-81

Charlton, David. "Salieri's timpani." Musical Times 112/154 (October 1971): 961-962

Cirone, Anthony J. "Interpreting the symphonic percussion part." Percussive Notes 33/5 (October 1995): 52

Clark, Owen. "Percussion in the opera orchestra of the 17th and 18th centuries." Percussive Notes 5/3 (1967): 11-14

Cooper, John M. "Towards a reconsideration of J. S. Bach's writing for the timpani." Percussive Notes 27/3 (Spring 1989): 44-50

De Ponte, Niel. "Janissary music and its influence on the use of percussion in the classical orchestra." Woodwind World, Brass and Percussion 15/4 (1976): 44ff

Hochrainer, Richard. "Beethoven's use of the timpani." Percussionist 14/3 (Summer 1977): 66-71

Hochrainer, Richard. "The Viennese timpani and percussion school." Percussionist 17/2 (Winter 1980): 88-102

Hong, Sherman. "Percussion in the orchestra: 1750-1850." Percussionist 8/4 (Summer 1971): 115-129

Jewell, David J. "Timpani in the late 18th century." Percussive Notes 24/2 (January 1986): 68-69

Levine, David. "Percussion instruments and performance practices in Beethoven's music." Percussionist 15/1 (Fall 1977): 1-6

Longyear, Rey M. "Percussion in the 18th century orchestra." Percussionist 2/1-2 (February 1965): 1-5

Mies, Paul. "Die Bedeutung der Pauke in den Werken Ludwig van Beethovens." ["The significance of the timpani in the works of Ludwig van Beethoven."] Beethoven Jahrbuch 8 (1975): 49-71

Moore, James L. "How Turkish janizary band music started our modern percussion section." Percussionist 2/4 (Spring 1965): 7-13

Ormrod, Nicholas. "Authentic performance practice in Rossini opera." Percussive Notes 34/1 (February 1996): 48, 50-53

Pollart, Gene. "The use and innovations of percussion in the works of J. S. Bach and Handel." Percussionist 13/3 (Spring 1976): 75-81

Powley, Harrison. "Some observations on Jean Georges Kastner's Methode complete et raisonnee de timbales (ca. 1845)." Percussionist 17/2 (Winter 1980): 63-74

Powley, Harrison. "Two little-known 19th century timpani tutors: Suggestions toward more authentic performance practices." Liberal and Fine Arts Review 7 (Spring 1979): 76-91

Press, Arthur. "Notational problems." Modern Percussionist Part I: 2/3 (June 1986): 26; Part II: 2/4 (September-November 1986): 26-27

Rack, John E. "A closer look at the timpani parts in the symphonic music of the early 19th century." Percussive Notes 28/2 (Winter 1990): 51-54

Remsen, Eric. "Editing the timpani parts of the orchestral music of the 18th and 19th centuries." Percussive Notes 21/2 (January 1983): 50-59

Stoddard, Hope. "Percussion in our orchestras." Percussive Notes 29/1 (October 1990): 71-75

Titcomb, Caldwell. "Baroque court and military trumpets and kettledrums: technique and music." The Galpin Society Journal 9 (June 1956): 56-81

Wilson, C. B. "Some remarks about multiple timpani and Berlioz." The Instrumentalist 28 (November 1973): 55-56

DISSERTATIONS

[TOP]

Gangware, Edgar Brand, Jr. "The history and use of percussion instruments in orchestration." Ph.D. dissertation (Music Theory). Evanston, IL: Northwestern University, 1962. 292 pp. Dissertation Abstracts 23/12-A, p. 4707. University Microfilms International order no. AAD63-03409

Gauthreaux, Guy Gregoire, II. "Orchestral snare drum performance: an historical study." D.M.A. Dissertation. Baton Rouge: Louisiana State University and Agricultural and Mechanical College, 1989. 240 p. Dissertation Abstracts 50/08A, p. 2418. University Microfilms International order no. MDW90-02142

Mueller, Erwin Carl. "A timpani method based on the performance practices of Edward M. Metzenger with an application of these practices to the symphonies of Beethoven and Brahms." D.A. Dissertation. Muncie, IN: Ball State University, 1976. 439 p. Dissertation Abstracts 37/10-A, p. 6132. University Microfilms International order no. AAD77-08659

Tanner, Peter Hyde. "Timpani and percussion writing in the works of Hector Berlioz." Ph.D. dissertation (Musicology). Washington, D.C.: The Catholic University of America, 1967. 289 p. Dissertation Abstracts 28/07-A, p. 2722. University Microfilms International order no. AAD67-17,122.

Wacker, Jonathan. "Interpretation for the orchestral percussionist: Ten professional perspectives." D.M. dissertation. Bloomington, IN: Indiana University, 1994. 171 p.

OTHER MATERIALS

[TOP]

Carse, Adam. The History of Orchestration. London: K. Paul, Trench, Trubner, 1925.

Carse, Adam. The Orchestra in the XVIIIth Century. Cambridge, England: W. Heffer, 1951; New York: Broude Bros., 1969

Del Mar, Norman. Anatomy of the Orchestra. Berkeley: University of California Press, 1981. pp. 339 429 [ISBN 520-04500-9, LCCN 81-11559]

Koury, Daniel J. Orchestral Performance Practices in the Nineteenth Century: Size, Proportions, and Seating. Ann Arbor, MI: UMI Research Press, 1986. (Studies in musicology, no. 85) pp. 101-104 [see also index]

BAROQUE TO CONTEMPORARY | DISSERTATIONS | OTHER MATERIALS
Copyright 1999 Russ Girsberger