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In a house full
of women, all the angles
are hard, all the angels
have flown. Bodies
hum to the same
chord, taut and precise
as guitar string.

The oldest plays
hide and seek, the rattle
of her bones gives
her away, the body
translucent as moth
wings or onion skin.
She glows in the dark--
now you see her,
now you don't.

The mother stands
in front of the mirror,
hand on her hip,
her slip, her skin,
the color of vanilla.
A shadow passes
her eyes, the round
of her lips. She appraises
her legs, the stretch
of her neck. This,
is the lesson
she meant to instill,
this is the curse.

The youngest cultivates
perfection like a garden,
nails clean and pink,
the lines of her body
strait as god, hipbones
hollowing like a drum.

She delights in lost
things-- her nails
crumble like the icing
of a cake, the pull
of the brush against
her scalp, the grey
of her skin in bathwater.

She wants to scrub
herself, pink and white,
red to the bone,
to wear herself down
to the inside--
that pure bright light.

In a house full of women,
all the angels are hard.



Kristy Bowen's work has appeared in Sand to Glass, Prairie Poetry, Tapestry, Eclectica, and Half Drunk Muse.  Bowen also edits the literary zine Wicked Alice .



Copyright 2002, Kristy Bowen. This work is protected
under the U.S. copyright laws. It may not be reproduced, reprinted,
reused, or altered without the expressed written permission of the author.



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