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ity and the universe. Through a reading of the temple's measures and proportions, its axes and orientations, and the symbolism and placement of its bas-reliefs, along with the accompanying studies of related medical and mathematical papyri, Schwaller de Lubicz demonstrates how advanced the civilization of Ancient Egypt was, a civilization that possessed exalted knowledge and achievements both materially and spiritually. In so doing, Schwaller de Lubicz effectively demonstrates that Ancient Egypt, not Greece, is at the base of Western science, civilization, and culture. To understand the temple of Luxor, twelve years of field work were undertaken with the utmost exactitude by Schwaller de Lubicz in collaboration with French archaeologist Clement Robichon and the respected Egyptologist Alexandre Varille. From this work were produced over 1000 pages of text and proofs of the sacred geometry of the temple and 400 illustrations and photographs that make up The Temple of Man. The Temple of Man is a monument to inspired insight, conscientious scholarship, and exacting archaeological groundwork that represents a major contribution to humanity's perennial search for self-knowledge and the prehistoric origins of its culture and science." And about The Temples at Karnak: More than 700 photographs and line illustrations documenting the ancient Egyptian temples of Karnak; A magnificent excursion that explores the monuments, ruins, statues, and bas-reliefs from the ancient and highly developed civilization of Egypt; The only complete photographic record available of this important archaeological treasure; Contains 600 photographs by two top French award-winning photographers This book is a magnificent excursion led by R. A. Schwaller de Lubicz to the monuments, ruins, statues, and bas-reliefs of the temples of Karnak. With nearly 600 photographs by Georges and Valentine de Mire, more than 450 of which are full-page plates, this volume is the only complete photographic record of this important historic site. Because of recent vandalism many of the artifacts are no longer intact, and it is no longer possible to see many of the details captured in these images. This promenade through the temples of Karnak reveals the remains of a world devoted to an unimpeachable faith in the afterlife, a faith whose conviction seems to have exalted its builders and artists, as was the case for several brief centuries with those who constructed the cathedrals of the Middle Ages. One did not work at fashioning these stones, nor were these works sculpted under someoneis strict authority; here it was necessary to act out of the heart. Every gesture in the depictions, every arrangement in the buildings, is a hieroglyph from the symbolic language of the sages who spoke to spirit and consciousness.
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