Joel Cohen


[IMAGE]

Joel Cohen lives in Amesbury, Massachusetts and Paris, France. He directs the Boston Camerata and the Camerata Mediterranea.

A list of Joel Cohen's publications and recordings is available by clicking here.

You can send mail to Joel Cohen by clicking here.

And you can send mail to The Boston Camerata by clicking here.



a brief biography
[IMAGE] Joel Cohen is a leading authority in the field of medieval and Renaissance musical performance. He has received widespread acclaim as performer, conductor, and writer/commentator in his chosen field, and his unique style of program building has made the Boston Camerata ensemble famous on five continents.

Mr. Cohen studied composition at Harvard University. Awarded a Danforth Fellowship, he spent the next two years in Paris as a student of Nadia Boulanger. He has taught and lectured at many East Coast universities, including Harvard, Yale, Brandeis, and Amherst. Abroad, he has given seminars and workshops at the Schola Cantorum in Basel, at the Royal Opera of Brussels, in Spain, Singapore, and Japan. His professional honors include membership in Phi Beta Kappa, the Erwin Bodky award in early music, the Signet Society medal from Harvard. He is a Chevalier of the Ordre des Arts et des Lettres of the French Republic.

As lutenist, Mr. Cohen has appeared with numerous European ensembles. He has frequently accompanied tenor Hugues Cuénod. More recently, his duo recitals with soprano Anne Azéma have taken him to many parts of Europe, Africa, and Asia. His conducting appearances include two seasons at the Brussels opera, as well as invitations to the Aix-en-Provence Festival (1989) and the Tanglewood Festival (1992, 1994, 1995).

Mr. Cohen's chosen repertoires span many centuries and countries, and over thirty LP-CD programs have been recorded under his direction, for Nonesuch, Telefunken, Harmonia Mundi, Erato, and other labels. He has, however, taken a special interest in French music of the Middle Ages and Renaissance, and early Baroque. In 1989, his recording of Tristan et Iseult , based on original medieval sources, won the Grand Prix du Disque of the Académie Charles Cros, Paris. In early 1993, his recording of the Requiem by seventeenth-century Provençal composer Jean Gilles, realised at the Aix-en-Provence festival, was enthusiastically received by the French press and public. Thanks to a series of CD recordings, New Britain (1989), The American Vocalist (1992), An American Christmas (1993) , and Simple Gifts (1995), his pioneering work in the roots of early American music has also won extensive praise.

In 1990, Mr. Cohen founded a new ensemble, the Camerata Mediterranea, devoted to the performance of early-music repertoires from the Mediterranean basin. The ensemble's initial tour season took place in France, Italy, Spain, and Morocco; further tours in 1992 and 1995 brought the group's music to audiences in France, the United States, and Holland.

Joel Cohen is well known in Europe as a radio commentator on early music topics. In the U.S., his numerous media appearances have included an engagement as host of WGBH (Boston)'s "Morning Pro Musica." Mr. Cohen's first book, Reprise was published in 1985. His first video, Le Roman de Fauvel , premiered at the Louvre Museum, Paris, in October, 1991, and on French television in the spring of 1992. Shall we gather at the river, a video produced with Erato-Warner, was widely diffused on American cable and French T.V. in 1992 and 1993; his arrangements of early American tunes provided the inspiration for much of the score to the film Geronimo (1994).




Directeur de la Boston Camerata, Joël Cohen est reconnu comme l'un des plus éminents specialistes de l'interprétation des musiques anciennes. Ses talents de musicien, chef et musicologue et son style unique de programation ont rendu la Camerata célèbre aux États-Unis, aussi bien qu'en Europe et en Asie. Luthiste, il accompagne de nombreux artistes, d'Hugues Cuénod à Anne Azéma. Il se produit comme chef invité à la Monnaie à Bruxelles, à Tanglewood, et à Aix en Provence. Il crée la Camerata Méditerranea afin de se concentrer sur les répertoires du bassin méditerranéen. C'est avec la même énergie qu'il se consacre à son travail de conférencier et de commentateur pour les radios et télévision françaises et américaines. Parmi les nombreuses récompenses qui l'honorent, retenons le Harvard University Signet Society, American Critics' Circle, le Grand Prix du Disque, Chevalier des arts et des lettres. Il signe plus de cinquante enregistrements sur les labels Erato, Nonesuch, Harmonia Mundi. ..


Summer Workshop in Provence

The workshop in Medieval song is now a memory, but what a memory! A week of troubadour songs in a spectacular setting (see above)...We hope to continue this activity. See you in beautiful Coaraze next year?

Cohen's recordings with Cuénod
reissued on CD

Two CD's documenting the 1970's collaboration of Joel Cohen with the legendary Swiss tenor, Hugues Cuénod, have recently been released in France. The Mémoire Vive CD reproduces most of a French radio recital tape from 1974. The Lys recording (Hugues Cuénod, Volume 5), reproduces the 1972 Turnabout LP of John Dowland songs and dances (made also with the particpation of harpsichordist Christiane Jaccottet.) This latter is a pirate recording, made without at the consent of at least one of the artists, so we cannot in good faith reccommend it, but we are including the information here anyway.

Other recording news...

Among the Boston Camerata's recent recordings for Erato are "Trav'ling Home: American Spirituals, 1770-1870" and Carmina Burana . "Angels", an original musical fantasy based on Gregorian chants and early American hymns and spirituals, was released in the U.S. in May 1997.

Joel Cohen's first recording of a twentieth century score, Kurt Weill's Johnny Johnson, was released in November, 1997.

[Johnny Johnson CD cover]

...and more stuff for Joel Cohen mavens.

Here is a link to Erato Record's profile page on Joel Cohen.