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ACADEMICS: INDY UNLEASHED #4 From Indy Unleashed #4: Winter 1998.

Academics

Some literary theory, a newsletter for librarians, a master's thesis on zines, notes from the highschool trenches . . . anything that'll fit. Sure, the boundaries for this category are vague. But what the heck. You could say the same thing about "punk" or "sf" for that matter. Only the zines themselves are real. The categories are figments of our imagination.

sangdroid (copyright 1997) is apparently a one-shot. The publisher told me she'd sent me the last one, so don't count on being able to get it. But I had to review it here anyway. It's like nothing I've ever seen.

There least interesting pieces are the shorter ones. (My faithful readers will recognize this as praise of the longer ones; I usually find most things longer than about a page to be too long). These include a few pages of ramblings about halftone technology, a "Chat Between Robots" (just what it sounds like; two "artificial intelligence" programs have a "conversation"), a paranoid rant on the CIA & academia, the incomprehensible "Sugar Rays and Wells of Honey", & a ads-treat-women-as-objects bit (slightly more interesting than Z's ever-tiresome "Hotel Satire"; I prefer the regular "No Comment" feature in Ms. to both).

The main attraction is the long essay Borges, X Files and Cash Registers: Pleasures and Politics of Digital Culture by Camela Raymond. Its style & subject matter are very much in the "postmodern" vein favored by young academics of the internet era. But unlike most of the (admittedly fairly small amount of) stuff of this sort that I've seen before, it's packed with interesting ideas. The punk-ziney layout actually seems to make this easier to read. Anyway, the theme is "how is knowledge organized": names & topics mentioned include tables (the French Encyclopia, Dewey decimal system, Oxford English Dictionary . . .), computers as "efficient filing cabinets", mathematics versus ordinary language, State power in the information economy, Stéphane Mallarmé, Donna Haraway, Borges of course, much more. Believe it or not, it all hangs together & it really got me thinking. Is "I have always been a librarian. I will always be a librarian." a reference to Kubrik's The Shining?

Heide Solbrig's Digital Domestics: Race, Agency and Corporate Software considers a piece by the MIT Media Lab's futuro-huckster Nicholas ( Being Digital) Negroponte in the light of the teach-yourself-typing program "Mavis Beacon Teaches Typing!". Race! Gender! Lacan again! A detailed bibliography!

It's just weird seeing this stuff in a zine. But it works. Probably these people are publishing similar stuff in the more conventional academic outlets. 68 fullsize pages plus some inserts including a tiny minicomic & a placemat. $2 if there were any more. Which, apparently, there ain't. But you might write & see what else these folks are up to. Pervatron Press 536 NE San Rafael Portland OR 97212.

Cocteau's Children #8. I reviewed #7 in TPN #12. Readers of that review will recall that editor John Doyle is a high school teacher who regularly causes students to produce zines (The Zine Project; I understand that this fall's ZP issues exist but I haven't seen 'em yet). That & the "School Stories" column earns CC its inclusion in this section. He also describes his involvement in children's theatre & his production of a pair of one-act plays. He's very critical of one of the actors in the one-acts. Doyle's forthrightness in speaking his mind about the people he works with has earned him considerable criticism; in particular, he's been known to discuss the behavior of his students & name names. This seems like begging for trouble to me. He seems to be feeling the heat, & has least considered getting out of the kitchen. But like it says on the cover, "I try to stop but they just keep coming". I'm sure a lot of zinesters can relate. There are public apologies to zinesters Donnie Smith (of Dwan) & Davida Breier (Slow Leek & Glovebox Chronicles). Breier has presented her complaints in recent issues of SL (particularly #13); apparently there are more problems than the "zine misunderstandings" cited here. None of my business of course, but it's all there on the record & gossip is fun. Okay, never mind that. Doyle also apologizes to some extent to the readers since "I am not a very good writer"; he explains that "[t]he chronic problem of teaching is that your brain degenerates over time" from reading "the work of inept high school writers"; what literature he does have time for is rereading the same works for class over & over. "[B]ut give me some actors, a stage, and a few lighting instuments and I will enflame your soul". Probably not mine; call me a philistine, but I'm pretty indifferent to stage plays. Usually much more trouble than they're worth, it seems to me. For the audience, I mean. The cast & crew generally seem to get a big kick out of it. Anyway, I find Doyle's soul-searching in CC refreshing & hope he'll stay with it. It's true that he makes a lot of pretty basic mistakes for an English teacher. My guess is that his students are lucky to get him anyway since he obviously puts so much of himself into his work (& the others are probably not much better at the technical stuff as a rule anyway). $1 or trade; send some extra for the Zine Project stuff. 810 Hamlet Circle King of Prussia PA 19406.

MSRRT Newsletter: Library Alternatives (Volume 10, Numbers 5 & 6: September/October & November/December 1997). MSRRT stands for "Minnesota Library Association Social Responibilities Round Table". Apparently, the American Library Association has a national SRRT. Minnesota seems to have much the most active branch, thanks to Newsletter editors Chris Dodge & Jan DeSirey. You don't have to be a librarian to like this Newsletter; among other things, it's a great zine review zine. For example, the "Periodicals Received" column for #10 has 22 reviews (covering 4 pages) including reviews of The Baffler & something called The Ten Page News. There's also a "World Wide Web" column, "Recommended Reading" (books) & "Recommended Resources", & even "Catalogs Received", along with "Library News" & editorials on censorship, book superstores, & other issues of interest to socially conscious librarians (& anyone else who reads a lot). I wish I'd discovered the Newsletter sooner; I'll be getting it from now on. Back issues are available on the web. 12 fullsize pages. $15 donation (suggested)/6 issues, payable to MLA/MSRRT. 4645 Columbus Ave. S. Minneapolis MN 55407.

The Baffler (Number Nine; copyright1997). Is a zine at all? Or is it rather a "little" magazine -- one of those small press journals full of academic belles lettres & Theory, usually (like The Baffler) squarebound, just over digest sized, & well over a hundred pages long? Well, what few ads they do have tend more to CDs than to university presses. Also, it's "co-published" by (leading alternative comics publisher) Fantagraphics, for pete's sake. (A bad move? I got the pre-Fantagraphics ## 7 & 8 from bookstore magazine racks. #9 was still available at Barnes & Noble but, at my local branch anyway, was relegated to a comic-&-role-playing ghetto behind the counter where it won't be noticed.)

Anyway, zine or not, who cares? What it is for sure is vital. Editor Tom Frank has become famous for his insightful & lively cultural criticism (I mentioned his emergence into the mainstream in TPN #1). His achievements as an editor are even greater, in my opinion, than his top-notch work as an essayist.

Baffler #9 is mostly about labor issues. There's a section on "The Towns That Time Forgets": some movement history, the Hormel strike & even a comic by Jessica Artbabe Abel on the Staley strike in Decatur IL. Two more sections on "What Works" (some good news about unions for a change) & "What Doesn't" (with analysis of pro-market propaganda, a satire on marketing literature, more). "I'll Work For Free!" consists of a piece on the exploitation of "interns" in the publishing industry & the ever-more-horrifying prison-industrial complex. "History Is Bunk" has pieces by regulars Tom Frank & Tom Vanderbilt on the disappearing of labor by the mass media & the "corporate soul" movement ("It was, of course, only a matter of time before the hucksters of wellness, those ubiquitous checkout-counter gurus like Deepak Chopra and James (Celestine Prophesy) Renfield, began tailoring their soulcraft to fit the hulking frame of corporate culture.") There's some cool art & photos & even some fiction & poetry in case you like that sort of thing.

Maybe the most important thing separating The Baffler from the academic mainstream for me is its overall tone: these people are engaged in the stuggle & they're having fun with it. I'd urge you to subscribe despite their spotty publication record (about one a year since I discovered 'em), but I can't find a price in their indica or ad. Send 'em $7 (postpaid) or get it for $6 at the store. 7563 Lake City Way NE Seattle WA 98115. (800) 657-1100 for credit card orders.

The Conquest of Cool by Thomas Frank. Definitely not a zine. An honest-to-god book. With hard covers yet. Adapted from Frank's 1994 dissertation at the U of Chicago. Subtitled Business Culture, Counterculture, and the Rise of Hip Consumerism. Disappointing. Long. Repetitive. Many too-detailed descriptions of old ads. Makes same few points many times. Probably worked better as series of articles. Stick to the zine. $22.95. U of Chicago Press. 0-226-25991-9.

This Document Will Self Destruct In 30 Seconds. Also known as Personality On Parade: A Psychoanalytic Analysis of the Zine Revolution. Fred Wright's 1995 master's thesis (at Kent State U.), reprinted in zine format. Well worth reading even if, like me, you skim over the passages on psychoanalysis.

Chapter One discusses "History and Characterisics of Zines": ancestors & relatives like chapbooks, broadsides, dadaism, & samizdat; techniques like detournement & other "appropriation of mainstream cultural icons"; the social & personal nature of zines. Chapter Two, "Reasons For Zine Publication", gets into the psychoanalytic theory. The coverage of such topics as therapy, community, propaganda, & the drive for recognition is clear enough even for this lay reader; Lacan's Orders & the object a will presumably be of some interest to readers familiar with that theory or wishing to be. "The Effects of Zines on Readers and Society", the third & final chapter, deals mainly with the politics of networking. It closes with a discussion of "the most important testament to the potential power of zines", the famous Michael Diana obscentiy conviction. Each chapter is extensively footnoted & there's a great bibliography. Actually two of 'em: about 70 books & articles are cited along with a separate list of 100 zines with contact information. 48 digest pages for $2. 710 Stinaff St. Kent OH 44240.

An Anti-Academic
New Philistine. I reviewed #40 in IU #2; editor Karl Wenclas is still at it -- #41 has a tirade against Thomas Pynchon, "the darling of academics because he is intellectualism run amok", with quotes from Gravity's Rainbow presented as evidence. I happen to disagree (and loved GR long before I became an academic). Pynchon's technique seems tightly controlled to me; anything but "amok". But it's sure fun to see somebody getting so worked up about literature. Wenclas obviously reads a lot of "literary" fiction but is usually disappointed: the field is dominated by bourgeois writers out of touch with the real America (not to mention lots of outright foreigners), concerned mainly with detailed description & empty analysis of unimportant & uninteresting non-events. He's probably right, too. I pretty much quit reading short stories years ago, contemporary or not, literary or not. He chastises the establishment for their lack of contentiousness. I agree again. It's fun reading these passionate attacks -- on Pynchon, John Gardner (in #40), Joyce Carol Oates (#38), many others -- literati with "craft but no talent". To a lesser extent, he also bashes underground writers with "talent, but no craft; whose easy ability shows in their utter lack of revision".

But NP isn't all bile; Wenclas sees in Madison Smartt Bell, for example, a writer capable of overcoming the "micorophilosophical musings of academe" to write for a popular audience. He likes old-school writers like Fitzgerald, from an era when the short story was a mass medium. There's an ongoing mystery story which of course I mostly skipped. The occasional handwritten rant in NP gives it a nice borderline-psychotic feel you just can't get anywhere but a zine. 4474 Third #203 Detroit MI 48201.